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Hinduism- An Introduction

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Specifications
Publisher: Surabhi Prakash, Jaipur
Author Dharamvir Singh
Language: English
Pages: 193 (B/W Illustrations)
Cover: PAPERBACK
8.5x5.5 inch
Weight 270 gm
Edition: 2005
HCB858
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Book Description
Introduction

It is hard to define Hinduism. It is not a religion in a narrow sense associated with the word religion. Its comprehensiveness bypasses the human mind. No single approach is able to enunciate its basic concept and philosophy. In a very broad sense Hinduism is a way of life. From time immemorial indigenous religious consciousness has continuously enriched it. It has been influenced by the aspirations and needs of the human society from time to time. It embraces the indigenous religions of India which have been modified almost continuously with the development of ideas and the needs of local communities. As a result Hinduism is a mixture of sects, cults and doctrines which have had a profound effect on Indian culture. In spite of this diversity, there are few of its aspects which do not rely in some way or the other on the authority of Indian religious literature - the Vedas, the Epics and the Puranas.

Vedic Deities

The Vedic gods who eventually became established in India may have been the result of the fusion of ideas brought by migrants and those of the indigenous people.P> These deities were defined in the Vedas, along with meticulous descriptions of the ceremonies that were in-tended to propitiate them.

There is a popular school of thought which disputes the theory of the migrants having brought in ideas and is of the opinion that Hinduism was highly developed much before. It is not within the scope of this book to go into this controversy.

It is evident from the Vedas that these deities were, to a certain extent, visualized as having human or animal forms. But it is not certain whether they were worshipped in the form of images. There remains the possibility, important for its effect on the later development of images, that some of the lower castes worshipped images in human or animal form and that this practice gradually spread upwards to the higher sections of society. At a much later period, the Vedic deities were given human form and reproduced as images. In response to the forces of development, the old Vedic.

religion underwent several changes. These chiefly concerned the deities that were worshipped, and the forms of ritual. Some deities changed their function, or gained or lost popularity, while the powers of mediation between the deity and the devotee became monopolized by the priests (Brahmins) who alone could perform the necessary rites and rituals. This made the deities remote and some of them acquired awesome aspects. Consequently, while many of the old deities were relegated to minor positions in the pantheon, others were elevated, and new deities were introduced. Parallel with this, and as a possible reaction against the strict orthodoxy of the priests, the need gradually arose for a more satisfying relationship between the worshipper and the worshipped. This need for devotion (bhakti) towards a personal god stimulated the desire for images which would make the deity more approachable. Their introduction was a slow, uneven process and it is likely that images were made at first only of minor deities in the pantheon. One of the earliest references to images for worship is around the 5th century B.C. of the Yakshas (tree spirits) and Nagas (snake gods).

Epic Deities.

Further stimulus to a more personal relationship between gods and men was given by the two great epics of Indian literature, the Ramayana and the Mahabharata. The stories of these epics are secular in nature but they not only describe the feats of their heroes but refer to the influence that the gods had on their exploits. Thus the stories of the gods were supplemented and expanded as they were woven into the narratives and the heroes themselves got assimilated into Indian popular religion and became deified.

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