Lord Dzambhala In The Embrace Of His Wife (Brocadeless)

$375

In Tibetan Buddhism, Lord Dzambhala belongs to the jewel family of Ratnasambhava. He is the equivalent of the Hindu presiding deity over the cosmic treasury, the great Kubera. His name translates to the ‘honourable (‘la’) accumulation (‘dzam’) of wealth (‘bha’)’. Many Buddhists turn to Him in order to be blessed with prosperity and plenitude. The thangka of Dzambhala that you see on this page depicts Him in togetherness with His wife, as is the norm with the iconography of the yakshas (Buddhist guardian deities).

Note the almost identical complexions of their bodies but for a shade here, a tint there. She becomes almost fluid within the limits of His grasp as He draws Her close and fuses into Her Himself. To the onlooker, their mouths are seemingly inching closer to each other. Each line on their faces, with the crowns of gold and five spires on their respective heads, has been painted with great care and attention to detail. The hands of the Devi are raised in ecstasy, in one of which She holds the stem of a fresh blue lotus. A sea of dishevelled green and scarlet sashes floats about them. As a piece of home or office decor, such a thangka would make a powerful aesthetic statement.

An interesting feature of this thangka is the colour palette. There is peach in Dzambhala’s halo, pale pastels in the petals of the lotus beneath them, and muted metallics in the surrounding aureole. These understated colours are juxtaposed with the deep, solid black of the backdrop and the glimmering jewel-tones of cloud and vine.

Item Code: ZE40
Specifications:
Tibetan Thangka Painting
Dimensions 15.5 inch x 20 inch
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade
Jambhala is the Buddhist form of the Hindu god of wealth, Kubera. He is called Jambhala from the jambhara (lemon), which he carries in his right hand. In his left arm he holds a mongoose that vomits jewels. These jewels are being deposited in a blooming lotus flower in the waters below.

Jambhala is shown here in intimate union with his consort. The depiction of sexual imagery has immense significance in Buddhist art. Male and female elements are nothing but symbols of the countless pairs of opposites (e.g. love and hate; good and evil etc.) which one experiences in mundane existence. Sexual imagery can also be understood as a metaphor for enlightenment, with its qualities of satisfaction, bliss, unity and completion.

He is shown corpulent and covered with jewels. His right foot is pendant and supported by a lotus flower on which is a conch shell.

A Thangka is a painted banner which is hung in a monastery or a family altar and carried by lamas in ceremonial processions. In Tibetan the word 'than' means flat and the suffix 'ka' stands for painting. The Thangka is thus a kind of painting done on flat surface but which can be rolled up when not required for display.

Thangkas with a black background like this one form a special category of contemplative paintings. They are a highly mystical and esoteric type, usually reserved for advanced practise. Black is the color of hate, transmuted by the alchemy of wisdom into the ultimate-reality-perfection wisdom. The dark connotes death, which enlightenment converts into the Body of Truth. It is used for terrific ritual actions, the radical conquest of evil in all its forms-conquest not by annihilating, but by turning even evil into good. Thus, in the black paintings (Tib. Nagtang) the black ground casts forth deities in luminous visions of translucent color.

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This description by Nitin Kumar, Executive Editor, Exotic India.

References:

Beer, Robert. The Encyclopedia of Tibetan Symbols and Motifs. Boston: Shambhala Publications, 1999.

Getty, Alice. The Gods of Northern Buddhism. New Delhi: Munshiram Manoharlal, 1978.

Lipton, Barbara, and Ragnubs, Nima Dorjee. Treasures of Tibetan Art: Collection of the Jacques Marchais Museum of Tibetan Art. New York: Oxford University Press, 1996.

Pal, Pratapaditya. Art of Tibet. Los Angeles: The Los Angeles County Museum of Art, 1990.

Rhie, Marylin M. & Thurman, Robert A.F. Wisdom and Compassion: The Sacred Art of Tibet. London: Thames and Hudson, 1996.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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