The sculpture rises like a column of shifting moons: each form advancing, retreating, and turning upon itself. What first appears to be a vertical sequence of discs soon reveals a far more dynamic rhythm: the artist has fractured the circle again and again, stacking its altered echoes into a structure that feels both deliberate and unpredictable.
The stone’s dark body, veined with streaks of pale mineral, intensifies this sense of motion. It resembles weather moving across a night sky, or the sediment of time captured mid-flow. The surface is not meant to be still; it asks the eye to travel, doubling back, tracing the progression of shapes as though reading an unfamiliar script.
There is an architectural confidence in the way the pieces interlock- a balance born not from symmetry but from negotiation. Each segment supports the next, forming a column that stands because of tension, not despite it.
Seen as a whole, the sculpture carries the energy of a form learning itself: gathering pieces, shedding edges, looking for its next iteration. It is a reminder that growth does not always ascend smoothly; sometimes it spirals, collides, and recalibrates before finding its stance.
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