Before the eye names figures, it registers a circle- an enclosing arc that curves inward, protective rather than restrictive. Within this sweep of marble, three rounded forms emerge, distinct yet inseparable, held in a quiet choreography of closeness. The sculpture does not narrate family through faces or gestures; it builds the idea structurally, through balance, repetition, and embrace.
Each form leans toward the other, not collapsing into sameness but maintaining its own contour. The central presence anchors the composition, while the flanking forms curve inward as if responding instinctively, creating a shared centre of gravity. What binds them is not pressure but continuity, the smooth, uninterrupted flow of stone that refuses sharp divisions. The enclosing arc feels almost parental, a sheltering gesture translated into form.
The marble’s natural variations: soft greys, faint veins move across the surface without hierarchy, reinforcing the sense that no single presence dominates. Strength here is collective. The sculpture suggests that belonging is not defined by identical shapes, but by the way differences find harmony within a shared boundary.
Bound by Family Spirit becomes less about lineage and more about relationship: how individual lives curve toward one another, how support is formed not by rigidity, but by a willingness to hold and be held- firmly, patiently, and without spectacle.
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