This marble form rests in a continuous rhythm, shaped as if motion itself has been paused and polished. The ring is built from a sequence of rounded segments, each swelling and receding like a breath held gently in stone.
Their smooth, lustrous surfaces catch the light in a way that softens the material’s weight, lending the marble a near-translucent quality, as though layers of water have momentarily learned how to hold their shape.
The circular structure invites a meditative reading. There is no beginning or end, only recurrence. The repetition of forms suggests droplets or bubbles rising, touching, and becoming one another, held together by an invisible logic of balance. This is not a circle drawn with precision, but one grown organically, shaped by accumulation rather than force.
The polished sheen plays a crucial role in this aesthetic. It reflects and absorbs light simultaneously, creating depth without ornament. The eye moves along the curve, guided by subtle shifts in contour, never settling on a single point. In this way, the sculpture evokes still water not as absence of movement, but as a state where motion has become internal.
Anchored on its base, the form remains poised and self-contained. It offers a vision of continuity and calm, where solidity does not deny fluidity, and permanence carries the memory of flow.
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