In this sculpture, abstraction meets philosophy- the marble form becomes a meditation on the Hindu vision of existence as an endless cycle of srishti, sthiti, and samhara - creation, preservation, and dissolution.
The central figure, carved with deliberate simplicity, seems to cradle two spiraling forms that emerge and return within its embrace. These spirals evoke the pulse of the universe itself: the ceaseless rhythm through which all things arise, endure, and fade back into the whole.
The figure, neither God nor human, could be seen as Brahman- the witnessing consciousness, holding within itself the movements of becoming and un-becoming.
It's still posture contrasts with the dynamic inner flow, echoing how the infinite holds the transient, and how stillness underlies motion.
Through minimal lines and subtle curves, the artist transforms cold marble into a visual mantra- a reminder that creation is not an event but a perpetual process, that every ending curls inward only to begin again.
This is cosmology rendered in form, the eternal dance of being, carved in stone.
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