The form stands upright and contained, its body calm and unbroken, like a vessel that has learned restraint. From this quiet column, the top suddenly opens out into rounded extensions, organic and playful, recalling growth that cannot be neatly controlled. It feels less like decoration and more like a moment when something internal finally announces itself.
The contrast is what holds attention. Below, the marble is smooth and reserved, almost architectural in its discipline. Above, it softens into bulbous, branching gestures that suggest touch, reach, or even thought taking shape. The transition between the two is seamless, as if stillness and expression belong to the same breath.
There is no narrative imposed, only a sense of becoming. The sculpture does not depict a figure or symbol directly; instead, it records a shift from containment to release. It feels elemental, like a memory of growth before it learns language. Anchored firmly at the base, yet visually alive at the top, the piece carries the quiet confidence of something that has found its form without needing to explain it.
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