Two flame-like forms rise together in a serpentine rhythm, circling and leaning into one another without ever collapsing into a single mass. Their movement feels intimate rather than dramatic, as if the stone has been persuaded into motion instead of forced into it.
What stands out is the balance between tension and trust. Each curve depends on the other for visual stability, creating a sense of mutual ascent. The forms appear to embrace, yet they also leave space between them, allowing light and shadow to travel through the core. This negative space becomes as meaningful as the marble itself, suggesting growth, continuity, and shared direction.
The serpentine movement recalls both flame and living form, but it resists literal interpretation. Instead, it invites a quieter reading, one where energy rises through restraint and elegance. The smooth polish amplifies this effect, softening the stone’s inherent weight and giving the sculpture an almost fluid presence.
Seen as a whole, the piece speaks of connection that strengthens rather than confines. It is about progress that happens together, two forces moving upward in harmony, bound not by fusion, but by rhythm and intent.
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