Rising from a single, grounded base, this marble form unfolds in a slow, deliberate rhythm. Two flowing currents lift themselves upward in mirrored motion, curving and crossing with a sense of vitality. Though the eye may first read them as separate, the longer one looks, the more their distinction dissolves. They are not parallel forces, but a single movement momentarily appearing as two.
The sculpture carries a calm inner pulse. Its surfaces are smooth and uninterrupted, allowing the form to guide perception rather than detail. As the curves rise, they open and fold back into themselves, creating moments of pause and passage. The voids within the form are as significant as the stone itself, shaping a dialogue between presence and absence.
Seen through the lens of Advaita, this becomes a visual meditation on non-duality. Difference here is only apparent, not essential. What seems divided is, in truth, one continuous becoming. The crossing of forms does not suggest conflict or convergence, but recognition, a return to shared origin.
The marble’s soft luminosity reinforces this philosophy. Light moves gently along the curves, never settling, never breaking the unity of the whole. The sculpture stands not as an assertion, but as an invitation: to see beyond separation, and to rest in the quiet understanding that all movement, however complex, arises from a single source.
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