The form rises from a grounded base and unfolds upward in three sweeping curls, each motion answering the next. What first appears decorative slowly reveals its intent: a single body branching, turning, and returning to itself. The curves are not ornamental excess; they feel deliberate, as if shaped by repeated movement rather than impulse.
The lowest spiral anchors the sculpture, compact and inward-looking. From it, the form stretches and divides, lifting into two elongated arcs that lean apart yet remain inseparable at the core. Their tips coil gently, suggesting continuation rather than closure. Nothing here is abrupt. Even the turns carry a sense of restraint, as though the marble has learned patience.
The pale stone, marked by soft natural variations, allows the eye to follow these movements without distraction. Light settles differently on each curve, reinforcing the sense of flow and pause built into the structure. It is a sculpture that reads vertically, like thought unfolding or breath rising, shaped by repetition and return.
Rather than representing a fixed symbol, the work holds a state of motion arrested at a meaningful moment. It invites slow looking, asking the viewer to trace its paths and discover how balance can emerge not from stillness, but from carefully held movement.
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