Nothing in this figure stands alone. Every curve folds into another, every face emerges from a shared spine of stone, as though identity itself were being sculpted in layers.
The tallest visage looks outward with a composure that feels earned; beneath it, a second head tilts inward, carrying a softer, quieter register; at the centre, the smallest form settles into place like a thought taking shape for the first time.
What gives the piece its force is not the individuality of the three figures but the way their boundaries dissolve. The polished surfaces and textured planes are stitched together with deliberate ambiguity: where one begins, and another tapers off, is left unresolved, echoing how influence, memory, and temperament slip between generations without clear edges.
It is a study in continuity rather than resemblance: three presences sharing a single, uninterrupted gesture. The stone does not tell a story of hierarchy or dependence; rather, it presents an unfolding: one life contouring another until a collective form appears, recognisable yet fluid, fixed yet still in motion.
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