A Glimpse into Divine Mischief
Immerse yourself in a timeless tale of youthful playfulness with this exquisite wooden panel art. Crafted with meticulous detail, this piece brings to life a beloved scene from the Krishna legend, capturing the endearing image of the butter thief. The artwork showcases the divine child, Krishna, caught in the act, his innocent face betraying the joy of his mischievous deed. The artist skillfully portrays the moment with a delicate touch, evoking a sense of warmth and lightheartedness that resonates deeply with the viewer.
The image captures the very essence of Bal Krishna, a form of the deity that represents innocence, purity, and unconditional love. As a child, Krishna was known for his playful pranks, particularly his insatiable appetite for butter. He would sneak into the homes of the milkmaids (Gopis), stealthily making his way to pots of freshly churned butter. This endearing act has become a symbol of his divine charm and is celebrated in countless stories, songs, and dances across India.
The Art of Mysore Inlay
The beauty of this artwork lies not only in its subject matter but also in the masterful technique employed to create it. It is crafted using the traditional Mysore wooden inlay technique, a form of art that has been passed down through generations of skilled artisans. This intricate process involves meticulously embedding small pieces of wood of various colors and textures into a base panel, creating a seamless and visually stunning mosaic. The natural colors of the wood are used to create depth and dimension, bringing the scene to life with remarkable clarity.
Mysore inlay work is known for its precision and attention to detail. Each piece of wood is carefully selected and shaped to fit perfectly into the design, creating a smooth and polished surface. The result is a work of art that is both visually appealing and incredibly durable, a testament to the skill and dedication of the artisans who create it. This particular piece exemplifies the finest qualities of Mysore inlay, showcasing the intricate patterns, vibrant colors, and masterful craftsmanship that make this art form so highly prized.
A Cultural Treasure
More than just a decorative item, this art piece serves as a cultural artifact, a window into the rich and vibrant traditions of India. It is a reminder of the enduring power of mythology and the timeless appeal of the Krishna legend. Displaying this panel in your home is not only a way to add beauty to your surroundings but also a way to connect with a cultural heritage that has inspired and enriched lives for centuries. With dimensions of 21 inches in height, 13 inches in width, and a length of 1 inch, this piece makes a subtle statement wherever you choose to display it.
How Mysore Wooden Inlay Paintings Are Made ?
Wood inlay is a historically significant art form from the 18th century. It arrived in India through Srirangaptnam in Mysore from Persia but has become an inevitable part of the Indian heritage. Tipu Sultan and the Wodeyars/Wadiyars are credited with the growth of this 400-year-old art form in Mysore and its neighboring areas.
Wood inlay work is usually done on a Mysore rosewood base, and other woods are used, like mango, kadam, jackfruit, rubber, doodhi, etc. Pieces of wood are adorned with beautiful motifs and patterns made from various materials. From wall hangings and paintings to jewelry boxes and furniture, many items are made using the Mysore wood inlay technique.
An outline is etched on a piece of rosewood with a sharp tool. Then, the area inside the outline is hollowed out, and materials like lacquer, enamel, contrasting wood, and sometimes even gold and silver are placed inside it. A sandpaper is used to give a
smooth finish to the surface.
Process of Mysore Wood Inlay Work -
The first step in the process is selecting the base and the design to be carved onto it. Planks are cut out of Rosewood logs in many shapes like square, rectangular, oval, or even circular. The surface is smoothened, and the sides are evened out.

The second step is creating the designs for the inlay on paper. These designs are then traced on transparent paper and then transferred to the surface of the desired material, such as another type of wood, lacquer, plastic, etc.

After that, the design is traced onto the rosewood planks. Using a coping saw, the designs are cut, and the rough edges are smoothened using a smooth file. Once that is done, the wood inside the outline is scooped out, leaving groves in the plank.

After that, the design cutouts are fitted in the groves, and the surface is beaten with a hammer to ensure the designs stay firm and in place. In case of any gaps, they are filled using a mixture of glue, rosewood, and sawdust.

The final step in creating Mysore wood inlay products is cleaning and polishing the items with beeswax. A coating of lacquer is applied to give them a glossy touch.
