On a raised platform laid over with a stretch of saffron-coloured silk lies the Buddha. The brocaded robe and sashes on His person are indicative of His absolute glory as opposed to material well-being.
The composure of His handsome, aged countenance is one of equanimity stemming from profound wisdom. In sharp contrast to the same is the collective stance of the disciples who surround His deathbed - upon the final moments of their beloved teacher, they are breaking down in inconsolable grief.
Mahaparinirvana is the final stage in the life of the Buddha. It is His moment of transition from the earthly to the ethereal, from the seemingly material to the purely absolute, from life to liberation.
The superbly detailed thangka that you see on this page depicts Sage Gautama as he lies on one side, surrounded by disciples who have come from all over the world to be with Him at this stage.
From the garments on each of the figures in this painting to the elements of nature and architecture, this composition bears all the signs of Buddhist devotional art. The first thing that occurs to the discerning art viewer is the sheer number of stoopas in the foreground. They are an inimitable pristine colour that reflects the cerulean heavens above. Hints of a deep blue stream are to be found amidst the same, punctuating the pale-coloured verdure of the Himalayan landscape. Along the midline of the painting is a luxuriant canopy surrounded by crimson clouds, symbolic of the Bodhi tree of the Buddha.
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