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Swords and Arms

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Specifications
PE49
Artist Rabi Behera
Orissa's Patta Painting on Tussar Silk
10" x 12"
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
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Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Legacy of Pattachitra

Pattachitra, meaning "cloth picture," is a traditional style of painting originating from the state of Odisha in eastern India. This ancient art form is characterized by its vibrant colors, intricate detailing, and mythological narratives. Historically, Pattachitra paintings served as visual aids for storytellers and temple decorations, bringing epics to life for the masses. The themes often revolve around Hindu deities, mythological tales from the Ramayana, Mahabharata, and the Jagannath cult, reflecting the rich cultural tapestry of the region. Artists, known as chitrakars, follow a meticulous process, from preparing the canvas to mixing natural pigments, preserving a legacy passed down through generations.

A Symbolic Arsenal

This captivating Pattachitra piece presents a diverse array of weapons and arms, each carefully rendered with the distinctive aesthetics of the art form. The painting is a tableau of martial prowess, echoing the valor of deities and heroes celebrated in Hindu epics. Note the assortment of swords, daggers, and axes, each uniquely shaped and ornamented. Observe the spears, bows, and arrows, reminding us of the epic battles of gods and demons, or of valiant warriors defending dharma. The artist’s careful composition creates a balanced yet dynamic arrangement, inviting viewers to consider the symbolism and history embedded within each piece. This painting is not simply a representation of weapons; it's a symbolic reminder of the eternal struggle between good and evil, a central theme in Hindu mythology.

Tussar Silk Canvas

The choice of Tussar silk as the canvas enhances the artwork's appeal. Tussar silk, also known as "wild silk," is valued for its rich texture and natural gold sheen. It is created from silk worms that live in the forests. The use of Tussar silk aligns with the traditional Pattachitra practices, where natural materials were favored. The texture of the silk gives the artwork an organic feel, making the colors appear softer, more natural. The slight irregularities in the silk add character, ensuring that each painting is unique.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.
Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.
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2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.
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3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.
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4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.
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