The Ten Mahavidyas, From The Tender To The Ferocious (Set of Ten Paintings)

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The Ten Mahavidyas, From The Tender To The Ferocious (Set of Ten Paintings)

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Name: The Ten Mahavidyas, From The Tender To The Ferocious (Set of Ten Paintings)
Brand: Exotic India
SKU: PV14
Price: 1095.00 USD
Availability: InStock

$1369

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Specifications

	PV14
	Artist Rabi Behera
	Water Color Painting on Patti Folk Art From The Temple Town Puri (Orissa)
	18 inch Height X 12 inch Width (Each)

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

In Sequence :

1.) Goddess Kamala

2.) Goddess Tara

3.) Goddess Tripura Sundari

4.) Goddess Bhairavi

5.) Goddess Bhuvaneshvari

6.) Goddess Chhinnamasta

7.) Goddess Dhumavati

8.) Goddess Kali

9.) Goddess Bagalamukhi

10.) Goddess Matangi

Introducing the Ten Mahavidyas: A Journey Through Divine Feminine Power

This exquisite collection of ten watercolor paintings captures the essence of the Dasha Mahavidyas, the ten wisdom goddesses of the Hindu tantric tradition. Each painting, a vibrant masterpiece created on traditional *patti* folk art from the sacred temple town of Puri, Orissa, brings to life the unique character and symbolism of these powerful deities. These are not mere depictions; they are windows into a rich tapestry of mythological narratives, spiritual symbolism, and artistic expression.

The Art of Patti Painting: A Legacy From Puri

The paintings are executed in the vibrant and intricate style of *patti* painting, a folk art form deeply rooted in the cultural heritage of Puri. Known for its bold colors, detailed designs, and use of natural pigments, *patti* painting has been a cherished tradition for centuries, adorning temple walls and enriching the religious and cultural landscape of Orissa. The use of *patti* (thin wooden boards) as the canvas adds a unique texture and historical significance to each painting. The 18 inch height by 12 inch width dimensions of each piece allow for a detailed and impactful presentation of each Mahavidya.

Encountering the Ten Mahavidyas: From Shakti to Compassion

The ten Mahavidyas represent diverse facets of the divine feminine energy, *Shakti*. Each goddess possesses unique attributes, iconography, and mythology, reflecting a spectrum of power, wisdom, and compassion. The set includes depictions of: *

Kali:

The fierce, primordial goddess, associated with destruction and transformation, who represents the ultimate power to overcome fear and ignorance. Tales of her slaying demons and consuming the darkness are integral to Hindu mythology. *

Tara:

The saviour goddess, a symbol of hope and protection, often depicted with a serene countenance and multiple arms, each holding a protective symbol. Tara's compassion offers solace and guidance amidst life’s challenges. *

Tripurasundari:

The embodiment of beauty and love, a cosmic energy that creates and sustains the universe. Her elegance and charm belie her immense power. *

Bhuvaneshvari:

The supreme goddess of the universe, embodying the totality of existence. She represents the unwavering and infinite divine power that pervades all creation. *

Chhinnamasta:

A particularly striking figure representing the dynamic interplay of creation and destruction. Her image, showing her severing her own head, signifies the transcendence of ego and the attainment of spiritual liberation. This often provokes deep contemplation and exploration. *

Dhumavati:

The goddess of widowhood, representing the acceptance of life’s transience and the empowerment found in solitude and introspection. She teaches us the value of embracing both the light and the dark. *

Bagalamukhi:

The goddess of speech, representing both the power of communication and the ability to silence negativity. She is often invoked to neutralize obstacles and enemies. *

Matangi:

The goddess of knowledge and music, associated with learning and artistic expression. Her connection to the arts highlights the power of creativity in our spiritual journey. *

Kamalatmika:

The goddess of lotus, embodying purity, beauty, and spiritual growth. She represents the blossoming of consciousness and the attainment of enlightenment. *

Shodashi:

Often associated with youthful energy and the boundless potential of creation, she is a powerful representation of primal energy and the cyclical nature of life. Her youthful energy signifies the endless possibilities of divine creation.

A Unique Addition to Your Sacred Space

This collection is not just a set of paintings; it’s an invitation to explore the profound depths of the divine feminine. Each artwork is a powerful reminder of the multifaceted nature of Shakti, and their inclusion in your home, temple, or sacred space will invite a deeper understanding of their divine energy. The vivid colors and intricate details of the *patti* style will captivate your senses, providing a source of both artistic beauty and spiritual inspiration. Own a piece of sacred art, a tribute to the timeless wisdom of the Mahavidyas.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.