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10" Multiple Hands Namgyalma Copper Idol from Nepal | Buddhist Deity Statue

$656.25
$875
25% off
Includes any tariffs and taxes

In Tibetan Buddhism, Namgyalma—also called Ushnisha Vijaya in Sanskrit—is a goddess connected to longevity, cleansing, and the elimination of obstructions. Imagine Namgyalma as a serene, kind figure who is frequently shown with several faces and arms.


Seated on a lotus throne, Namgyalma exuded a serene vibe. She usually carries a vase and a vajra, or thunderbolt, which stand for spiritual strength and the nectar of immortality. The three faces of Namgyalma represent the past, present, and future, representing her power to purge the negativities of these three historical eras.


Namgyalma technique is frequently used by devotees to extend their life, improve their health, and remove hindrances from their spiritual path. "Om Bhrum Sva Ha," her mantra, is said to call forth her blessings and protection. A long and fulfilling life devoted to the search of enlightenment is embodied by Namgyalma's loving presence.

Specifications
MIV958
COPPER GILDED WITH GOLD
Height: 10 inch
Width: 9 inch
Depth: 4 inch
Weight 2.30 kg
Delivery and Return Policies
Usually ships in 15 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Beacon of Compassion and Protection

This exquisite statue embodies the divine presence of Namgyalma, a powerful Buddhist deity revered for her ability to overcome obstacles and bestow longevity and purification. Crafted with meticulous detail in Nepal, this copper idol is gilded with pure gold, reflecting the radiant energy of this enlightened being. The multifaceted nature of Namgyalma is visually represented through her multiple heads and arms, each holding symbolic implements that speak to her profound wisdom and boundless compassion.

Embodying Enlightenment and Divine Power

Namgyalma, also known as Ushnishavijaya in Sanskrit, is one of the three long-life deities in Tibetan Buddhism, alongside Amitayus and White Tara. Her iconography often depicts her with multiple faces, symbolizing her all-seeing nature and her ability to perceive the suffering of all sentient beings from every perspective. The serene countenance of her primary face, along with the watchful gaze of her other faces, invites contemplation and peace. Her numerous arms represent her active engagement in liberating beings from the cycle of samsara, offering guidance and protection at every turn. Each hand is poised in a gesture of blessing, holding sacred objects such as a vajra, representing indestructibility, or an image of the Buddha, signifying the dharma.

Artistry from the Heart of the Himalayas

The creation of this statue is a testament to the rich artistic heritage of Nepal, a land deeply intertwined with Buddhist traditions. Skilled artisans, drawing upon generations of knowledge and spiritual devotion, have brought this divine form to life. The use of copper as the base material, combined with the meticulous application of gold gilding, creates a luminous and enduring representation of Namgyalma. The intricate carvings and flowing lines of the robes and ornaments speak to the sacred artistry involved, imbuing the piece with a tangible sense of spiritual power and aesthetic beauty. The base upon which Namgyalma sits is a lotus pedestal, a common symbol in Buddhism representing purity, enlightenment, and the blooming of spiritual awareness from the muddy waters of existence.

A Symbol of Auspicious Blessings

To possess and contemplate this statue is to invite the blessings of Namgyalma into one's life. She is invoked to overcome illness, purify negative karma, and extend life. The presence of this deity is believed to protect against untimely death, fear, and all forms of suffering. In Buddhist cosmology, Namgyalma is said to reside in the heavens, offering solace and wisdom to all who seek her guidance. Her mantra is believed to be particularly potent in purifying the mind and body, leading practitioners towards spiritual liberation. This beautifully crafted idol serves as a powerful reminder of the potential for enlightenment and the unwavering compassion of the divine.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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