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10" White Tara From Nepal - Mudra of Varadans

$572.25
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She, who vanquishes the negative karma and ends the Klesha; White Tara is the Buddhist goddess of driving away delusion from our lives. Seated on a lotus dais, two flowers shoot on both her sides. As her wavy tresses fall over her shoulders, one hand presents the mudra of protection and the other hand rests in the mudra of Varadans. In fine copper, this sculpture is made with the Newari technique, brought to you from the rich heritage of the Himalayas.

Specifications
CAA143
Copper With Gold
Height: 10 inch
Width: 7 inch
Depth: 4 inch
Weight 2 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion: A Nepalese White Tara Sculpture

This exquisite sculpture captures the serene essence of White Tara, a revered bodhisattva in Mahayana Buddhism, known for her swift compassion and protective grace. Originating from Nepal, a land steeped in spiritual artistry, this representation is rendered in lustrous copper, meticulously gilded with gold, imbuing it with an aura of divine radiance. The sheer artistry of the Nepalese craftsmen is evident in every detail, from the delicate features of Tara's face to the intricate ornamentation adorning her form. The goddess is depicted in her characteristic seated posture, a symbol of tranquil stability. Her right hand is raised in the Varada mudra, the gesture of bestowing boons and blessings, with her palm facing outwards, signifying her readiness to grant wishes and alleviate suffering. This mudra is a powerful visual representation of her boundless generosity and compassionate nature. Her left hand rests in her lap, holding the stem of a lotus flower that blossoms beside her shoulder, a classic iconographic element representing purity, enlightenment, and rebirth. The lotus, in Buddhist symbolism, signifies that one can rise above the murky waters of suffering to achieve spiritual awakening, much like the flower emerges pristine from the mud. In Buddhist lore, Tara is often invoked as the "Mother of all Buddhas," a celestial being who has vowed to continue reincarnating until all sentient beings are liberated from suffering. Legend has it that she emerged from a tear shed by Avalokiteshvara, the bodhisattva of compassion, when he saw the immensity of worldly suffering. Her white complexion symbolizes her purity and wisdom, while the five wisdoms she embodies are often represented by the five colors of her adornments. This sculpture, with its rich golden hue, accentuates her luminous presence and the preciousness of her divine intervention.

Symbolism and Craftsmanship

The choice of materials – copper and gold – is deeply significant. Copper, known for its conductivity, is believed to facilitate the flow of spiritual energy, while gold is universally recognized as a symbol of divinity, purity, and enlightenment. The application of gold leaf over copper creates a harmonious blend of earthly and heavenly qualities, making the sculpture both tangible and divinely inspired. The masterful gilding captures and reflects light, making the goddess appear to glow from within, further enhancing her ethereal presence. The traditional Nepalese artistic style emphasizes flowing lines, elegant forms, and vibrant details. Notice the finely sculpted crown, adorned with tiny gemstones that glint with multifaceted brilliance, and the delicate rendering of her robes, which seem to flow with a gentle breeze. Even the base upon which she sits, often a lotus pedestal, is crafted with meticulous attention to detail, signifying her exalted status. This sculpture is not merely an object of devotion but a testament to the enduring artistic heritage of Nepal, where spirituality and craftsmanship are inextricably intertwined.

A Vision of Serenity and Protection

This White Tara sculpture serves as a powerful reminder of the ever-present forces of compassion and protection in the universe. Her serene expression and the comforting gesture of her Varada mudra invite contemplation and peace. Whether placed in a personal sanctuary, a meditation space, or as a statement piece in a curated collection, this artifact offers a tangible connection to the spiritual wisdom and profound beauty of Buddhist art. It is a piece that resonates with devotees and art connoisseurs alike, embodying the timeless ideals of enlightenment, purity, and unwavering compassion, brought to life by the skilled hands of Nepalese artisans.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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