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12" Buddhist Deity Mahakala Copper Statue from Nepal | Nepalese Metal Idols

$933
$1244
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Vadashamukha Mahakala holds a significant place in Tibetan Buddhism, recognized as the Twelve-faced Great Black One. This wrathful manifestation of enlightened consciousness embodies compassionate activity. With twelve fierce faces, he symbolizes the ability to perceive and address suffering across all directions. Each countenance represents a distinct enlightened quality.

 

Standing in a formidable stance, Vadashamukha Mahakala dons a crown of five skulls, symbolizing the alchemical transformation of the five poisons into wisdom. His numerous arms wield an array of implements and weapons, exemplifying his authority to conquer obstacles and safeguard practitioners. This deity encapsulates the fusion of power and compassion, illustrating his role as a guardian and guide within the Buddhist tradition.

Specifications
CAA147
Copper With Gold
Height: 12 inch
Width: 7.5 inch
Depth: 4 inch
Weight 3 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Embodiment of Fierce Compassion

This magnificent statue depicts Mahakala, a fierce emanation of Avalokiteshvara, the Bodhisattva of Compassion. In Tibetan Buddhism, Mahakala is revered as a powerful protector, guarding the Dharma and vanquishing obstacles that hinder spiritual progress. His wrathful form is not an expression of anger, but rather a potent symbol of his fierce determination to overcome negativities such as greed, hatred, and delusion, which bind sentient beings to the cycle of suffering. The choice of copper, a metal associated with purity and conductivity of energy, further enhances the spiritual potency of this artwork. The meticulous gold finish lends an aura of divine radiance and timeless value, reflecting the sacredness of the deity.

Myths and Symbolism

Mahakala is often depicted with multiple faces and arms, each symbolizing different aspects of his enlightened activity. This particular representation, with its intense gaze, bared fangs, and fiery halo, embodies the unyielding force of spiritual awakening. The flames surrounding him represent the burning away of ignorance and the transformative power of wisdom. The myriad hands signify his ability to simultaneously address countless challenges and offer assistance to beings in need across all dimensions. Mahakala's fierce countenance is designed to inspire awe and fear in negative forces, while instilling courage and confidence in his devotees. Tales speak of his intervention in critical moments, protecting monasteries, sacred texts, and practitioners from harm, ensuring the uninterrupted transmission of Buddhist teachings.

Artistry from the Himalayas

Crafted with exceptional skill in Nepal, a land steeped in rich spiritual traditions, this statue is a testament to the enduring legacy of Himalayan artistry. The intricate details, from the delicate rendering of the adornments and weaponry to the dynamic posture of the deity, showcase the mastery of Nepalese artisans. Each curve and contour is shaped with intention, reflecting centuries of devotional practice and artistic refinement. The statue stands as a powerful visual anchor for meditation and contemplation, inviting practitioners to connect with the protective and transformative energy of Mahakala. Its presence can serve as a constant reminder of the internal battles that must be fought and won on the path to enlightenment. This piece is not merely an object of art; it is a conduit for spiritual connection and a symbol of unwavering protection.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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