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13" Akshobhya Buddha from Nepal

$2156.25
$2875
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The Buddha as we know Him, the enlightened one, can be resolved into five vectors in terms of personality. Each of these five vectors, each a Buddha Himself, called a Tathagata, is an embodiment of the quintessential qualities of Buddhahood. The murti that you see on this page is of the Tathagata Akshobhya.


It is a copper sculpture from Nepal. Copper, a finer medium compared to brass, is a staple of elite Nepalese sculptural tradition. It lends the Tathagata a deep brown complexion. The same is set off by the luxuriant silver-coloured inlay-work that defines the five-spired crown and the ornaments of Akshobya.


Beneath the perfect poorna-padmasana of Akshobhya is a circular throne. And beneath the crown, the profound contemplative composure of a divine countenance.

Specifications
MIV543
Copper
Height: 13.5 inch
Width: 8 inch
Depth: 8 inch
Weight 4.60 kg
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Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
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Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Steadfast Lord of Unwavering Existence

This exquisite statue embodies the profound serenity and unwavering wisdom of Akshobhya Buddha, a pivotal figure in Mahayana Buddhism. Crafted with exceptional skill in Nepal, a land steeped in spiritual tradition, this piece is more than just an object of devotion; it is a testament to centuries of artistic heritage and profound philosophical insight. Akshobhya, meaning "unshakeable" or "immovable," represents the second of the five Dhyani Buddhas, embodying the aggregate of consciousness and the mirror-like wisdom that reflects all phenomena as they truly are, free from distortion or illusion. ––––––––––––––––––––

A Visage of Immovable Peace

The artist has masterfully captured the essence of Akshobhya. Seated in the traditional Vajra posture of meditation, his form exudes an aura of unshakable calm. The copper medium, expertly treated, lends a warm, earthy tone to the Buddha's serene countenance, while the intricate silver inlay work adorning his robes, crown, and jewelry adds a touch of celestial brilliance. His eyes are gently closed, suggesting an inward focus, a deep contemplation that has transcended the distractions of the material world. The gentle turn of his head and the subtle hint of a smile on his lips convey a sense of profound peace and compassion. The elaborate crown and ornate ornaments signify his enlightened status, yet they do not detract from the core of his tranquil presence. ––––––––––––––––––––

Symbolism and Spiritual Significance

Akshobhya Buddha is particularly revered for his connection to the Eastern Pure Land, known as Abhirati, meaning "The Joyful." It is said that in a past life, as a monk named Dharmakara, he made a solemn vow to become a Buddha who would purify all the unwholesome karma of sentient beings. Upon achieving enlightenment, he became Akshobhya, and his realm is a place of unparalleled joy and purity, free from suffering. In iconography, Akshobhya is often depicted in the Bhumisparsha mudra, or "earth-touching" gesture, where his right hand rests on his right knee with fingers pointing towards the earth, calling the Earth Goddess to witness his enlightenment and victory over the demon Mara. While this statue's hand gesture is not the Bhumisparsha mudra, it is in a contemplative pose, holding a bowl or symbolizing the absorption of all negativities. The lotus base upon which he sits further symbolizes purity and enlightenment, rising untainted from the mud of worldly existence. ––––––––––––––––––––

A Legacy of Sacred Art

Each element of this statue, from the serene expression to the meticulously crafted details, speaks to the profound spiritual lineage of Nepalese Buddhist art. The skill involved in creating such a piece requires not only immense technical expertise but also a deep understanding of the Buddhist cosmology and the symbolic language of iconography. This statue serves as a powerful reminder of the path to enlightenment, the overcoming of obstacles, and the cultivation of a mind that remains undisturbed by the vicissitudes of life. It is an artifact that can bring a sense of sacredness and tranquility to any space, a conduit to the timeless wisdom of the Buddha.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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