13" Four Armed Avalokiteshvara Copper Statue from Nepal

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Name: 13" Four Armed Avalokiteshvara Copper Statue from Nepal
Brand: Exotic India
SKU: MIS662
Price: 460.00 USD
Availability: InStock

$575

Includes any tariffs and taxes

Avalokiteshvara is adorned in regal attire, a reflection of his princely lineage. Silken robes drape his figure, resembling Indian royal attire. He is bedecked with an array of exquisite jeweled ornaments, including bracelets, necklaces, and anklets, signifying his mastery of generosity and moral virtue. His long, black hair, typical of a prince, is partially tied atop his head, cascading down his shoulders.

A resplendent five-jeweled crown graces his head, representing the five Buddha families. Seated against a serene backdrop of hills and lakes, Avalokiteshvara exudes tranquility with a luminous aura. In his multiple arms, he cradles essential Buddhist symbols. He wears an antelope skin over his shoulder, symbolizing his compassionate nature. His regalia includes earrings, bracelets, a vase, a rosary, and more. His eleventh head is believed to be the spiritual progenitor of Amitabha Buddha.

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Specifications

	MIS662
	Copper with Gold Plated
	Height: 13 inch
	Width: 9.5 inch
	Depth: 4.5 inch
	Weight 3 kg

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
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100% Handmade

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MADE IN INDIA.

A Vision of Compassion: Four-Armed Avalokiteshvara

This exquisite statue depicts Avalokiteshvara, the Bodhisattva of Compassion, in his four-armed form, a manifestation embodying boundless empathy and spiritual aid. From the heartland of Nepal, renowned for its mastery of devotional art, this copper masterpiece is adorned with rich gold plating, radiating an aura of divine grace and serene power. The intricate craftsmanship reflects the deep spiritual traditions of Tibetan Buddhism, where Avalokiteshvara is venerated as a protector and guide, a silent witness to the suffering of all sentient beings. Legend tells that Avalokiteshvara, upon witnessing the immense suffering in the world, vowed to remain in Samsara until all beings are liberated. His compassion is so profound that it is said to manifest in various forms to best alleviate distress. The four arms symbolize his ability to reach out to all beings in need, offering solace, wisdom, and liberation. The primary pair of hands, held in the Añjali Mudra (prayer or greeting gesture) at his heart, signifies his deep respect and devotion. The other two hands hold significant symbolic objects. One delicately cradles a lotus flower, representing purity and spiritual awakening, while the other, gracefully turned outwards, may be seen as bestowing blessings or protection.

The Iconography of Enlightenment

Each element of this statue is imbued with meaning, guiding the devotee towards spiritual realization. The serene countenance, with half-closed eyes, suggests deep meditation and inner peace, a stark contrast to the turmoil of the material world. The elaborate crown, meticulously detailed and gilded, signifies his princely aspect, hinting at his royal lineage as a manifestation of the Buddha. The flowing robes, rendered in rich copper tones with delicate gold filigree, suggest movement and presence, as if the divine being is actively engaged with the world. The base, a multi-tiered lotus throne, is a common symbol in Buddhist iconography, representing purity, ascension, and the unfolding of spiritual potential. The intricate patterns etched into the fabric of his attire further enhance the sense of divine artistry and meticulous attention to detail. This statue is more than just an object of art; it is a tangible connection to a profound spiritual tradition. Avalokiteshvara, also known as Chenrezig in Tibetan, is a central figure in Mahayana Buddhism, embodying the ultimate aspiration of a Bodhisattva to achieve enlightenment for the benefit of all. His mantra, "Om Mani Padme Hum," is one of the most widely recited mantras in Tibetan Buddhism, invoking his compassionate energy. Owning such a statue serves as a constant reminder of the power of compassion, the importance of mindfulness, and the potential for inner peace and spiritual growth. It invites contemplation and devotion, fostering a sacred atmosphere in any space it graces.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.