13" Goddess Saraswati Idol from Nepal | Copper Statue Gilded with Gold

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13" Goddess Saraswati Idol from Nepal | Copper Statue Gilded with Gold

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Name: 13" Goddess Saraswati Idol from Nepal | Copper Statue Gilded with Gold
Brand: Exotic India
SKU: MIW015
Price: 1070.00 USD
Availability: InStock

$1003.50

$1338

25% off

Includes any tariffs and taxes

Saraswati or Yang Chenmo in Tibetan Buddhism has retained the attributes of the Hindu goddess of wisdom, while also becoming the bestower of Buddha’s wisdom. Saraswati in Buddhism is a tutelary goddess or Yidam, who is revered with meditation and rituals to gain wisdom, arts, and creativity that assist a person in going closer to enlightenment. She is also compared to White Tara and is often worshipped as a peaceful form of the protectress Palden Lhamo.

In this beautiful gilded copper statue from Nepal, her iconography is derived from Hindu culture, where she is mentioned as four-armed, carrying Veena or lute in her primary hands and holding a rosary and book in her secondary hands. The features of Saraswati are delineated in a Nepalese idiom, with soft, meditative eyes, a fine nose and gently smiling lips on a glistening face. The ornamentation of the goddess is elaborate with hints of precious stones. An interplay of copper and gold hues gives the idol a splendid artistic finish, which amplifies the beauty of the goddess Saraswati.

With her foot extended on a lotus pedestal, the Veendharini (she holds the Veena) goddess benevolently allows her devotees to find refuge in her feet.

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Specifications

	MIW015
	Copper Gilded with Gold
	Height: 13 inch
	Width: 8.5 inch
	Depth: 6.5 inch
	Weight 4 kg

Delivery and Return Policies

	Usually ships in 15 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodiment of Wisdom and the Arts

This exquisite statue depicts Goddess Saraswati, the Hindu deity of knowledge, music, arts, wisdom, and nature. Crafted with meticulous detail in Nepal, this piece is a testament to the rich artistic traditions of the region. The use of copper as the base material provides a sturdy and enduring form, while the luxurious gilding with pure gold imbues the statue with a divine radiance. The intricate carvings and the liberal application of precious blue and red stones, resembling turquoise and coral, add vibrant accents and enhance the overall opulence of this sacred representation.

Divine Attributes and Iconography

Saraswati is often portrayed with four arms, symbolizing her dominion over the four aspects of human personality: mind, intellect, consciousness, and ego. In this captivating rendition, her hands are gracefully positioned, with one holding the veena, a stringed instrument that represents the harmony of the universe and the power of sound. The other hands are often shown in gestures of blessing, holding a book of scriptures, or a mala (rosary), all signifying her role as the bestower of knowledge and spiritual enlightenment. Her serene expression and regal adornments, including a multi-tiered crown and ornate jewelry, reflect her divine status and her association with purity and beauty. The lotus base upon which she sits is a universal symbol of purity, spiritual awakening, and enlightenment, grounding her in a context of divine grace.

A Glimpse into Mythology

According to Hindu mythology, Saraswati emerged from the forehead of Lord Brahma, the creator god, and is considered his consort. It is said that the world was created with the sound of her veena. She is revered by students, artists, musicians, and scholars alike, invoked for clarity of thought, creativity, and inspiration. The Vedic hymns often sing praises of her power to dispel ignorance and usher in enlightenment. Her association with the swan, which is often depicted near her, symbolizes discernment and the ability to separate truth from falsehood, much like the swan can separate milk from water. This statue, therefore, is not merely an object of art but a powerful conduit for invoking the goddess's blessings and cultivating inner wisdom.

Artistic Mastery from the Himalayas

This statue is a remarkable example of Nepalese craftsmanship, where generations of artisans have honed their skills in creating sacred art. The process of creating such a piece is labor-intensive and demands immense precision. From the initial shaping of the copper to the delicate application of gold leaf and the setting of precious stones, each step is carried out with devotion and expertise. The rich color palette, combining the warm glow of gold with the deep maroon of her robes and the vibrant hues of the inlaid stones, creates a visually stunning piece that captures the divine essence of Saraswati. Displaying this idol in your home or sacred space is an invitation to embrace knowledge, cultivate creativity, and connect with the profound spiritual energies that Saraswati represents.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.