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13" Six Hands White Mahakala Copper Statue from Nepal

$1303.50
$1738
25% off
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Only 1 available

The White Mahakala is particularly associated with protection and prosperity. This manifestation of Mahakala is characterized by his white complexion, three eyes, six hands, and hair that flames upward. His practice is believed to remove obstacles related to resource deprivation, enabling practitioners to help sentient beings more effectively.

 

White Mahakala's six arms hold various symbolic objects: in his right hand, he wields a curved knife, damaru (a small drum), and jewels, while his left hands hold a knife and a skull cup filled with jewels. He is adorned with precious gold ornaments and is often depicted standing atop two elephant-headed figures above a sun disc, symbolizing his auspicious and powerful nature.

Specifications
MIS644
Copper
Height: 13.5 inch
Width: 10 inch
Depth: 6 inch
Weight 4.90 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Transcendent Power: The Six-Handed White Mahakala

This magnificent copper statue, meticulously crafted in Nepal, depicts the formidable deity Mahakala in his white form, a powerful protector and dispeller of obstacles. The artistry and spiritual depth conveyed by this sculpture are truly remarkable, making it a significant addition to any collection of Buddhist art. Mahakala, a wrathful emanation of Avalokiteshvara, is revered as a fierce guardian of Buddhist teachings and a force that overcomes ignorance, delusion, and negative influences.

Symbolism in Every Detail

The white complexion of Mahakala symbolizes purity and the unobstructed nature of wisdom. His six hands, a striking visual representation of his multifaceted power, each hold significant symbolic objects. These include a ritual staff, a skull cup, a damaru (drum), and a lasso, among others. The dynamic posture and fierce expression are not indicative of malice but rather of an active and uncompromising commitment to eradicating spiritual hindrances. His multiple faces, often three in number, represent the three doors of liberation: emptiness, signlessness, and wishlessness. The swirling flames of the aura surrounding him signify his ability to consume negativity and purify the spiritual realm. This is reminiscent of the fiery wisdom that burns away the darkness of samsara. In some traditions, Mahakala is seen as a manifestation of Shiva's wrath, unleashed to protect the Dharma, reflecting the syncretic nature of some Buddhist practices.

A Masterpiece of Nepalese Craftsmanship

Fashioned from high-quality copper, this statue is a testament to the enduring traditions of Nepalese metalwork. The intricate detailing, from the individual strands of his hair to the patterns on his garments, showcases the skill and dedication of the artisans. The vibrant colors used to adorn the statue further enhance its visual impact and symbolic meaning, with gold accents highlighting the divine essence of the deity. The base upon which Mahakala stands is equally elaborate, featuring a lotus design and decorative elements that add to the overall grandeur of the piece. This statue is not merely an object of art but a conduit for spiritual energy, intended to inspire devotion and protection. Its presence is said to invoke the blessings of Mahakala, bringing peace, prosperity, and freedom from fear to its surroundings. It is a powerful reminder that even in the face of adversity, there is a force that stands guard, ready to overcome all obstacles.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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