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13" Tibetan Buddhist Deity Chenrezig From Nepal

$1162
Includes any tariffs and taxes
Specifications
MIS768
COPPER
Height: 13 inch
Width: 10 inch
Depth: 9 inch
Weight 4.80 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Boundless Compassion

This exquisite statue captures the serene countenance of Chenrezig, the Bodhisattva of Compassion in Tibetan Buddhism. Revered as the manifestation of the Buddha's compassion, Chenrezig embodies the selfless desire to alleviate the suffering of all sentient beings. The figure, meticulously crafted from copper, reflects the artistry and devotion of Nepalese artisans, bringing a divine presence into your sacred space. Chenrezig is depicted with eleven faces, though this representation thoughtfully focuses on his primary four arms, each holding symbolic meaning. His main two hands are pressed together in Anjali Mudra, the gesture of prayer and greeting, signifying his deep reverence and auspicious connection with all beings. The upper right hand holds a mala, or string of prayer beads, representing the continuous recitation of mantras and the path to enlightenment. In his upper left hand, he cradles a lotus flower, a symbol of purity and spiritual awakening that blooms unsullied by the muddy waters of samsara. The lore of Chenrezig is rich with tales of his profound empathy. It is said that when he saw the immensity of suffering in the world, his head shattered into eleven pieces out of overwhelming grief. Amitabha Buddha, his spiritual father, then reformed him, giving him eleven heads to better perceive and respond to the cries of all beings. This multi-faceted vision allows him to extend his compassion to every corner of existence. ––––––––––

A Masterpiece of Traditional Craftsmanship

This statue is a testament to the enduring traditions of Tibetan Buddhist art, originating from the heart of Nepal. The use of copper, a sacred metal in many cultures, lends a radiant warmth and permanence to the deity. The intricate details, from the serene expression and the elaborate crown adorned with symbolic representations, to the flowing robes and the decorative ornaments, are all meticulously rendered. The vibrant colors applied to the statue evoke the richness of mandalas and thangkas, adding a visual symphony to the spiritual essence. The lotus throne upon which Chenrezig sits is a powerful symbol in Buddhism, representing purity, enlightenment, and rebirth. The layered petals of the lotus, painted in hues of pink, orange, and gold, further enhance the divine aura of the sculpture, symbolizing the unfolding of spiritual realization. Each element is thoughtfully designed to inspire contemplation and devotion. ––––––––––

Invoking Peace and Enlightenment

Placing this statue in your home or meditation space serves as a constant reminder of the path of compassion. It can be a focal point for prayer, meditation, or simply a source of peace and inspiration. By meditating on Chenrezig, practitioners aim to cultivate their own innate capacity for love, kindness, and empathy, working towards the liberation of themselves and others from suffering. The presence of this deity invites a sense of tranquility and spiritual well-being, fostering an environment conducive to inner growth and the realization of our highest potential. This piece is not merely an object of art, but a conduit for blessings and a powerful symbol of the universal desire for peace.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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