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14" Je Tsongkhapa Copper Statue from Nepal | Copper Gilded with Gold

$1434.75
$1913
25% off
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Je Tsongkhapa, also known as Tsongkhapa Lobzang Drakpa, was a highly influential Tibetan Buddhist teacher, scholar, and reformer. He lived from 1357 to 1419 and was the founder of the Gelug school, one of the major schools of Tibetan Buddhism. Tsongkhapa is renowned for his emphasis on the study of Buddhist philosophy, ethics, and Vinaya (monastic discipline). He advocated for a balanced approach to spiritual practice, integrating both scholarly study and meditative contemplation.


One of Tsongkhapa's most significant contributions was the formulation of the Gelugpa tradition's distinct philosophical system, known as the Gelugpa or Ganden tradition. This system is based on the teachings of the Indian philosopher Nagarjuna, combined with elements from other Indian and Tibetan Buddhist traditions. Tsongkhapa's writings, particularly his extensive commentaries on classic Buddhist texts, are highly regarded in Tibetan Buddhism. His most well-known work is the "Great Treatise on the Stages of the Path to Enlightenment" (Lamrim Chenmo), which outlines a comprehensive guide to spiritual practice.


His emphasis on monastic discipline, ethical conduct, and the integration of wisdom and compassion has left a lasting impact on Tibetan Buddhism. Tsongkhapa is revered as a great scholar and teacher, and his teachings continue to be studied and practiced within the Gelug school and beyond.

Specifications
MIU146
Copper Gilded with Gold
Height: 14 inch
Width: 9 inch
Depth: 6 inch
Weight 4 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Great Luminary: A Representation of Je Tsongkhapa

Behold a magnificent statue capturing the essence of Je Tsongkhapa, the revered Tibetan Buddhist saint and founder of the Gelug school. Crafted from copper and meticulously gilded with gold, this fourteen-inch masterpiece emanates an aura of profound wisdom and spiritual guidance. Je Tsongkhapa, often hailed as the "Second Buddha," revolutionized Tibetan Buddhism in the 14th and 15th centuries through his profound scholarship and emphasis on ethical conduct and meditative practice. This statue, a testament to his enduring legacy, is rendered with exquisite detail, from the serene expression on his face to the intricate folds of his monastic robes. The radiant gold gilding highlights the contours of his form, symbolizing his enlightened nature and the purity of his teachings.

Symbolism and Cultural Significance

The iconography presented in this statue is rich with meaning. Je Tsongkhapa is famously depicted wearing a yellow cap, a symbol that aligns him with the sun and the ultimate realization of Buddhahood. The conch shell, an emblem of the Dharma's pure and far-reaching sound, is often associated with him, its auspicious resonance dispelling ignorance and awakening sentient beings. While not explicitly visible in all depictions, the traditional attributes associated with Tsongkhapa often include a sword to cut through ignorance and a lotus flower symbolizing purity and enlightenment. The ornate base upon which he is seated, often depicted as a lotus, signifies purity of mind and the blossoming of spiritual awareness. This statue is more than just an artistic creation; it is a sacred object, designed to inspire devotion and contemplation in the hearts of practitioners.

Craftsmanship from the Heart of Nepal

Originating from Nepal, a land steeped in spiritual traditions and renowned for its skilled artisans, this statue embodies centuries of inherited craftsmanship. The use of copper, a metal valued for its malleability and conductive properties, allows for the fine detailing and robust form of the deity. The subsequent gilding with gold elevates the piece, imbuing it with a divine luminescence that is characteristic of sacred Buddhist art. Each stroke, each curve, is a testament to the dedication and devotion of the craftspeople who poured their energy and intention into its creation. Displaying this statue in your home or meditation space serves as a constant reminder of the path to enlightenment and the profound wisdom traditions of Tibetan Buddhism. It is a piece that resonates with history, spirituality, and exceptional artistry.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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