14" White Tara Budhisattva Copper Statue from Nepal

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14" White Tara Budhisattva Copper Statue from Nepal

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Name: 14" White Tara Budhisattva Copper Statue from Nepal
Brand: Exotic India
SKU: MIT082
Price: 1560.00 USD
Availability: InStock

$1462.50

$1950

25% off

Includes any tariffs and taxes

Only 1 available

White Tara is closely linked to maternal compassion and the art of healing.

Her left hand is gently extended in an open palm boon-granting gesture known as Varada Mudra. White Tara is often depicted with a fully bloomed pink lotus on one side of her and an unopened lotus bud on the other. This symbolism represents the duality of the present and the future, signifying both current circumstances and the potential for positive change and the birth of future Buddhas. Her right hand, known as the wisdom hand, makes a gesture of giving refuge, emphasizing her teachings of compassionate understanding.

The circular formation created by the thumb and the third finger represents the union of wisdom and compassion, while the three extended fingers symbolize the Three Jewels of Buddhism. Additionally, she holds the stem of an orange lotus, representing the concept of change and growth emerging from the mud, symbolizing the journey from obscurity to enlightenment.

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Specifications

	MIT082
	Copper with Gold Plated
	Height: 14 inch
	Width: 9 inch
	Depth: 6 inch
	Weight 6.10 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embrace Compassion and Protection: A Vision of White Tara

This exquisite statue embodies the benevolent presence of White Tara, a revered Bodhisattva in Tibetan Buddhism, known as the "Mother of Liberation" and the "Goddess of Eternal Youth." Crafted from resilient copper and adorned with opulent gold plating, this representation emanates an aura of divine grace and serenity. Its generous size allows for a commanding yet gentle presence in any sacred space or personal altar. The artistry of Nepalese craftsmen is evident in every detail. White Tara is depicted seated in the lotus posture (Padmasana), a symbol of spiritual purity and enlightenment. Her posture signifies her balanced and tranquil state of being, ready to offer solace and guidance. Delicate necklaces and armbands adorn her form, hinting at her celestial nature and the precious offerings she bestows. The serene expression on her face, with downcast eyes, conveys deep meditation and unwavering compassion for all sentient beings.

Symbolism and Significance

White Tara is an emanation of Avalokiteshvara, the Bodhisattva of Compassion. It is said that a single tear shed by Avalokiteshvara in his grief for the suffering of the world transformed into the goddess Tara. She appears in two primary forms: Green Tara, who is dynamic and active, and White Tara, who is contemplative and nurturing, embodying long life, healing, and a motherly affection. The white color of her form symbolizes purity, peace, and immaculate wisdom. The lotus flowers flanking her are potent symbols in Buddhist iconography. They represent purity, spiritual awakening, and detachment from worldly desires, as the lotus grows from muddy waters yet remains pristine. White Tara's right hand is often shown in the gesture of boon-granting (Varada Mudra), extended downwards and palm facing outwards, signifying her willingness to grant wishes and alleviate suffering. Her left hand, resting on her knee, is in the gesture of refuge (Abhaya Mudra), palm upwards, offering protection from fear and danger. This dual gesture encapsulates her essence as both a giver of boons and a protector. The third eye on her forehead signifies her omniscience and profound insight into the nature of reality.

A Masterpiece of Sacred Craftsmanship

This statue is more than just an object; it is a conduit for spiritual connection and a testament to ancient artistic traditions. The intricate crown and embellishments on her headdress, painted with vibrant and varied colors, signify her supreme spiritual authority and enlightenment. The flowing robes, rendered with masterful strokes, suggest her ethereal movement through the cosmos. Each element of this sculpture is imbued with meaning, inviting contemplation and fostering a sense of peace. Whether placed as a focal point for meditation or as a decorative piece of profound cultural significance, this White Tara statue serves as a constant reminder of the boundless compassion and protective energy that is always available to those who seek it. It is a cherished piece for collectors and practitioners alike, bringing the timeless wisdom and grace of the Himalayas into your home.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.