15" Tibetan Buddhist Deity Chenrezig Copper Statue from Nepal

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15" Tibetan Buddhist Deity Chenrezig Copper Statue from Nepal

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$1176.75

$1569

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Chenrezig, known by various names like Avalokiteshvara in Sanskrit, Kuan Yin in Chinese, and Kannon in Japanese, symbolizes freedom from the veils of Samsara. His four arms represent the virtues of love, compassion, joy, and equanimity, forming the foundation of bodhicitta, the practice of compassion in Buddhism.

His seated posture in padmasana, the lotus position, signifies the union of compassion and emptiness, a key aspect of becoming a Bodhisattva. Each attribute of Chenrezig carries deep symbolism associated with compassion and happiness. He is seated on a moon disc and a lotus, this reflects his total purity. Further, his hands are in a prayer position holding a wish-fulfilling golden gem.

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Specifications

	MIS727
	COPPER WITH GOLD PLATED
	Height: 15 inch
	Width: 11 inch
	Depth: 6 inch
	Weight 4.50 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

The Embodiment of Compassion: A Revered Chenrezig Statue

This magnificent statue captures the serene and benevolent form of Chenrezig, the Bodhisattva of Compassion. Revered in Tibetan Buddhism as the earthly manifestation of the Buddha's compassion, Chenrezig is invoked by devotees seeking solace, guidance, and the alleviation of suffering. The artistry and devotion poured into this piece are palpable, making it a truly awe-inspiring object for contemplation and spiritual practice. ––––––––––––––––––

Divine Form and Iconography

Chenrezig is depicted here with his characteristic four arms, symbolizing the four immeasurable virtues: loving-kindness, compassion, sympathetic joy, and equanimity. The primary hands are pressed together in the *anjali mudra*, a gesture of supplication and reverence, signifying his deep devotion to sentient beings. In his upper right hand, he holds a blooming lotus, representing purity and the potential for enlightenment, while his upper left hand clutches a crystal rosary, symbolizing the endless cycle of compassionate action. The deity is adorned with a regal crown and intricate jewelry, reflecting his exalted status. The serene expression on his face, with eyes half-closed in meditation, radiates peace and profound empathy. The statue is meticulously crafted from copper and embellished with gold plating, enhancing its luminous beauty and spiritual significance. The rich, warm tones of the copper are complemented by the shimmering gold, creating a harmonious and visually captivating presence. The figure is seated in the traditional lotus posture (*padmasana*) upon a beautifully rendered lotus throne, a symbol of spiritual purity rising above the mundane. ––––––––––––––––––

Mythological Significance and Cultural Resonance

In Buddhist lore, it is said that when Chenrezig first looked upon the suffering of the world, his tears formed the goddess Tara. Another legend tells of his vow to liberate all sentient beings from the cycle of rebirth. His immense compassion is so profound that it is said to manifest in the sound of the mantra "Om Mani Padme Hum," which translates to "Hail the Jewel in the Lotus." This mantra is considered the essence of his teachings and a powerful tool for cultivating compassion within oneself. The production of such statues in Nepal carries a deep cultural heritage, drawing upon centuries of artistic tradition and religious devotion. Nepalese artisans have long been renowned for their skill in creating sacred objects that not only serve as aids to meditation but also as testaments to faith and artistic mastery. This statue, originating from Nepal, carries with it the spiritual energy and devotion of its creators and the land from which it hails. ––––––––––––––––––

A Beacon of Peace and Spiritual Fulfillment

This striking Chenrezig statue serves as a powerful reminder of the transformative power of compassion. Whether placed in a personal altar, a meditation space, or a sanctuary, it invites a sense of peace and mindfulness. Its presence encourages reflection on the importance of kindness, empathy, and the interconnectedness of all beings. The intricate details and the palpable spiritual aura of this statue make it a significant piece for anyone seeking to deepen their spiritual practice or bring a tangible representation of boundless compassion into their lives. It is an heirloom-quality piece, imbued with the spirit of Tibetan Buddhism and crafted with exceptional skill.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.