19" Tibetan Buddhist Deity Chenrezig Statue From Nepal

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19" Tibetan Buddhist Deity Chenrezig Statue From Nepal

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$2273.25

$3031

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|| Om Mani Padme Hum ||

Chenrezig also known as “Avalokitesvara” is the bodhisattva that symbolises the compassion of all Buddhas. In this unique and rare representation, Chenrezig is seen sitting on a double lotus podium with four arms. In this mesmerising form, his two hands are in Anjali Mudra (Praying gesture) with a wish-fulfilling jewel between them. While his other right hand clutches a necklace of prayer beads and his left-hand holds a pristine lotus. He is depicted wearing a flowing silk robe which represents purity and enlightenment. Around Chenrezig’s waist, there is a celestial belt or sash also known as “Udarbandha”, symbolising the boundless wisdom he possesses. Embellished with intricate designs, he is adorned with a crown which signifies his enlightened state and spiritual authority. The draped robes over his body gracefully emphasising his compassionate nature. It is said that he has vowed to never rest until all beings enter Nirvana. In times of stress and trouble, He listens to the prayers of all sentient beings.

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Specifications

	MIS718
	COPPER WITH GOLD PLATED
	Height: 19 inch
	Width: 14 inch
	Depth: 9 inch
	Weight 9.30 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodiment of Compassion: The Bodhisattva Chenrezig

This magnificent statue, meticulously crafted in Nepal, depicts the beloved Bodhisattva of Compassion, Chenrezig. Also known as Avalokiteshvara in Sanskrit, Chenrezig is a central figure in Tibetan Buddhism, revered as the embodiment of all Buddhas' compassion. His name translates to "the Lord Who Looks Down," signifying his constant gaze upon the suffering of all sentient beings and his unwavering desire to alleviate it. The legend tells that when Chenrezig looked upon the suffering world, a tear fell from his eye, which then transformed into Tara, the female Bodhisattva, and the very existence of the Tibetan people. This statue, rendered in rich copper with a lustrous gold plating, captures the serene and benevolent essence of this divine being. ––––––––––

A Vision of Serenity and Divine Grace

The artistry evident in this statue is a testament to the skill of Nepalese artisans, deeply steeped in centuries of religious tradition. Chenrezig is depicted in his iconic posture, seated in the lotus position (Padmasana), a symbol of spiritual purity and enlightenment. His hands are joined in the Anjali Mudra, the gesture of prayer and offering, conveying a sense of deep reverence and devotion. This gesture is often interpreted as the union of wisdom and method, essential for spiritual liberation. The tranquil expression on his face, with gently downcast eyes and a subtle smile, radiates peace and profound empathy. His serene countenance invites contemplation and offers solace to those who behold him. ––––––––––

Symbolism and Iconography

Every element of this statue is rich with symbolic meaning. Chenrezig is adorned with elaborate jewelry, including crowns, necklaces, and bracelets, signifying his princely status as a Bodhisattva who has attained great spiritual realization while remaining in the world to help others. The multi-faceted crown atop his head represents his mastery over various aspects of spiritual practice. In one of his raised hands, he holds a blooming lotus flower, a universal symbol of purity, enlightenment, and spiritual unfolding, rising above the mud of earthly desires. The intricate detailing on his robes and the ornamentation of the base further enhance the visual narrative, reflecting the opulence and grandeur associated with divine beings. The lotus base upon which he rests is a common motif in Buddhist art, symbolizing the transformation from the cycle of suffering to the state of liberation. ––––––––––

A Sacred Presence for Devotion and Inspiration

This exquisite statue serves not merely as an object of art but as a potent symbol for devotion, meditation, and inspiration. The profound energy of compassion that Chenrezig represents can be felt through the craftsmanship and the spiritual intent embedded within this piece. Whether placed in a home altar, a meditation space, or a place of worship, this statue acts as a constant reminder of the power of loving-kindness and the potential for all beings to cultivate such virtues. Its presence can foster a sense of peace, encourage mindful reflection, and inspire a journey towards spiritual awakening, echoing the eternal teachings of the Bodhisattva of Compassion.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.