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24" Guru Padmasambhava Idol | Copper Statue from Nepal

$2147.25
$2863
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In his Main Form, Padmasambhava’s face is adorned with a mustache and goatee. His right-hand holds an upright gold vajra, while his left-hand rests in his lap, cradling a white skull cup filled with nectar, jewels, and a long-life vase. He carries an ornate katvanga staff, of a Vajrayana mendicant, embellished with streamers, which leans against his left shoulder.

 

Guru Padmasambhava sits in a regal posture, with his feet carefully arranged. His countenance carries a serene yet joyful expression. He bestows profound blessings with great magnificence and radiates the remarkable majesty associated with both major and minor signs of enlightenment.

 

Padmasambhava is adorned with opulent gold earrings and necklaces, and his head is covered with headgear, a gift from the King of Zahor. 

Specifications
MIS658
Copper with Gold Plated
Height: 24 inch
Width: 16 inch
Depth: 12 inch
Weight 17.30 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Guru of Lotus Born: A Vision of Enlightenment

This magnificent copper statue, meticulously crafted in Nepal, portrays Guru Padmasambhava, also known as Guru Rinpoche, the "Lotus-Born." Revered as the second Buddha in Tibetan Buddhism, his arrival is foretold to bring profound spiritual teachings and liberate sentient beings from suffering. Legend has it that Padmasambhava manifested in a lotus flower floating on Dhanakosha Lake in present-day Swat Valley, a divine event that heralded a new era of Buddhism in Tibet. This breathtaking representation captures the essence of his transformative power and wisdom, rendered in lustrous copper and adorned with exquisite gold plating that enhances its ethereal aura.

Symbolism and Divine Attributes

The iconography of this statue is rich with symbolic meaning, each element carefully chosen to reflect Guru Padmasambhava’s spiritual authority and compassionate nature. He is depicted in a serene meditative posture, seated upon a lotus throne that signifies purity and enlightenment. In his right hand, he holds a vajra, the thunderbolt of enlightenment, symbolizing indestructible wisdom and the dispelling of ignorance. His left hand cradles a skull-cup (kapala) filled with amrita, the elixir of immortality, representing the subjugation of negative forces and the attainment of spiritual longevity. Perched atop his back is a trident (khatvanga), a symbol of his mastery over the three realms of existence and his ability to overcome obstacles. His regal attire, detailed with intricate patterns, speaks to his status as a royal prince who renounced worldly pleasures to embrace the path of liberation. The crown he wears signifies his enlightened royalty and his dominion over the spiritual plane.

Craftsmanship and Cultural Heritage

Each detail of this substantial statue speaks to the mastery of Nepalese artisans. The rich texture of the copper, combined with the shimmering gold plating, creates a visual symphony of divine radiance. The subtle nuances in facial expression, the graceful drape of his robes, and the sharp definition of the symbolic implements all highlight the skill and devotion poured into its creation. Nepalese artisans have been creating sacred objects for centuries, preserving ancient techniques passed down through generations. This statue is not merely an artwork but a conduit for spiritual energy, intended to inspire contemplation, devotion, and a deeper connection to the wisdom of Guru Padmasambhava. Its commanding presence makes it a fitting centerpiece for any altar, meditation space, or collection dedicated to the preservation of Himalayan Buddhist art and spirituality.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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