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100% Handmade
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MADE IN INDIA.

24" Wooden Gaja Ganesha Wall Panel Framed by Peacocks

$168
$224
25% off
Includes any tariffs and taxes
Specifications
PHD417
Wood
Height: 9.5 inch
Width: 24 inch
Depth: 2 inch
Weight 2.40 kg
Delivery and Return Policies
Usually ships in 40 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embrace Auspicious Beginnings with Gaja Ganesha and His Court

This exquisite wooden wall panel is a vibrant testament to Indian artistry and spiritual devotion, featuring the beloved deity Ganesha, the remover of obstacles, flanked by majestic elephants and graceful peacocks. Carved from durable wood, this piece brings an aura of divine presence and cultural richness to any space. The central figure of Gaja Ganesha, with his elephant head and pot-bellied form, is depicted in a seated posture, exuding an aura of serenity and wisdom. His hands are raised in blessing, while his trunk, a symbol of strength and prudence, is elegantly curved. ––––––––––––––––––

Guardians of Divinity and Symbols of Grace

Flanking Ganesha are two powerful elephants, their forms rendered with intricate detail. Elephants hold significant mythological importance in Hinduism, often associated with Lord Indra, the king of gods, and are considered symbols of strength, royalty, and good fortune. In this panel, they appear as loyal protectors, their decorative coverings adding to the visual opulence. To the far left and right, the majestic peacock adds another layer of symbolism. The peacock, with its iridescent feathers, is often linked to the Hindu deity Kartikeya, the god of war, and also symbolizes beauty, prosperity, and immortality. Their presence frames the divine scene, adding a touch of ethereal grace and vibrant color. The intricate carvings on their plumage and the decorative elements they hold in their beaks are a hallmark of skilled craftsmanship. ––––––––––––––––––

A Masterpiece of Craftsmanship and Cultural Heritage

The entire composition is set against a dark, textured background that makes the figures and their vibrant colors pop. The border of the panel is adorned with a repeating pattern of stylized leaves and floral motifs, further enhancing its decorative appeal. The deliberate use of color – the gentle blues of the elephants, the rich earthy tones of Ganesha, and the striking hues of the peacocks – breathes life into the carving, making it a dynamic and captivating work of art. This panel is not merely a decorative item; it is a piece of history, a conduit to ancient traditions, and a symbol of blessings. It’s believed that the presence of Ganesha invokes auspiciousness and helps overcome challenges, making this panel an ideal addition to homes, offices, or any place seeking harmony and good fortune. The craftsmanship suggests a dedication to preserving traditional Indian carving techniques, passed down through generations, ensuring each detail is meticulously rendered. This piece is a celebration of nature's grandeur and the divine realm, all captured in the enduring medium of wood.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.
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2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.
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3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.
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4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.
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How to care for Wood Statues?


Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

 

  • Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

 

  • Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

 

  • You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

 

  • Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

 

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster. 

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