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5" Colorful Chenrezig (Avalokiteshvara) from Nepal

$477
Includes any tariffs and taxes
Specifications
MIS629
Copper
Height: 5.5 inch
Width: 4 inch
Depth: 2 inch
Weight 600 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion

This exquisite statue depicts Chenrezig, the Bodhisattva of Compassion, a figure revered across Tibetan Buddhism. Also known as Avalokiteshvara, this deity embodies the boundless compassion of all Buddhas. In Buddhist lore, Chenrezig made a vow to free all sentient beings from suffering. Upon realizing the sheer immensity of suffering, his head is said to have shattered into a thousand pieces, from which a thousand Amitabha Buddhas emerged to comfort him. This representation captures the serene and benevolent nature of Chenrezig, offering a focal point for meditation and reflection on compassion. ––––––––––

Artistry from the Himalayas

Crafted from copper and meticulously hand-painted, this statue hails from Nepal, a land steeped in spiritual tradition and artistic heritage. The vibrant colors—rich whites, deep greens, and shimmering golds—bring Chenrezig to life, each hue holding symbolic significance. The intricate detailing of his ornaments, the delicate rendering of his hands in prayerful posture, and the serene expression on his face all speak to the skill and devotion of the artisans who created this piece. The practice of creating such sacred objects is a meditation in itself, infusing the artwork with spiritual energy. ––––––––––

A Symbol of Universal Love

Chenrezig is often depicted with multiple arms, symbolizing his ability to reach out to all beings in need. In this particular form, his primary hands are clasped in *anjali mudra*, a gesture of reverence and offering. The other hands hold symbols of purity and enlightenment, such as a lotus flower, representing the spiritual unfolding of awareness. His serene gaze and peaceful demeanor invite a sense of calm and mindfulness. For practitioners, this statue serves as a tangible reminder of the omnipresent nature of compassion and the potential for enlightenment within all beings. Its presence can foster a deeper connection to these profound spiritual ideals, transforming any space into a sanctuary of peace.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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