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7'' Buddhist Deity Chenerzig from Nepal | Silver Ghau

$2067
$2756
25% off
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Only 1 available

Envision a sacred Chenrezig silver ghau, a portable shrine, or amulet box in Tibetan Buddhism. Meticulously crafted, the ghau features intricate designs, and the embodiment of compassion, Chenrezig, graces the silver surface. The details of Chenrezig's serene expression and multiple arms radiate compassion and benevolence.


The silver gleaming enhances the purity and sanctity of the ghau. Chenrezig, with a compassionate gaze and often depicted with the mantra "Om Mani Padme Hum," becomes a symbol of boundless compassion and guidance.


This portable shrine holds not only the essence of Chenrezig but serves as a tangible link to the divine for those who carry or wear it. The Chenrezig silver ghau stands as a revered piece, combining intricate artistry with spiritual significance, offering both aesthetic beauty and a source of solace on the spiritual journey.

Specifications
MIW506
Silver
Height: 7.5 inch
Width: 4 inch
Depth: 4 inch
Weight 700 gm
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion: The Silver Ghau of Avalokiteshvara

This exquisite silver ghau, originating from the spiritual heartlands of Nepal, presents a captivating depiction of Avalokiteshvara, revered in Buddhism as Chenrezig, the Bodhisattva of Compassion. Avalokiteshvara, the "Lord Who Looks Down," embodies the boundless mercy and empathetic wisdom of all Buddhas. His presence is a beacon of hope and solace, a celestial being dedicated to alleviating the suffering of all sentient beings. The name "Chenrezig" itself in Tibetan translates to "one who looks with the eyes of compassion." The craftsmanship of this piece speaks volumes about the rich artistic traditions of Nepal. Rendered in lustrous silver, the deity is depicted in a serene seated posture, with hands pressed together in the Anjali mudra, a gesture of reverence and greeting. This pose signifies the deep respect and humility with which Avalokiteshvara approaches the world and its inhabitants. The intricate details of his adornments, from the ornate crown and jewel-studded necklaces to the flowing robes, are meticulously crafted, showcasing the skill of the artisan. He is shown with multiple arms, a common iconography symbolizing his ability to reach out to and help beings in all directions. Each hand is often depicted in a different mudra, conveying various aspects of his compassionate nature and enlightened activity. The ghau, a traditional amuletic container, is often worn by practitioners to carry sacred relics, mantras, or images of deities for protection and blessings. This particular ghau functions as a shrine in miniature, enclosing the divine form of Avalokiteshvara, allowing the devotee to carry his compassionate essence close. The circular halo behind the deity, a common motif in Buddhist art, symbolizes enlightenment and the radiance of spiritual wisdom. The base on which Avalokiteshvara is seated is a lotus, a potent symbol of purity and spiritual awakening, representing the unfolding of consciousness from the mire of worldly attachments. In Buddhist lore, Avalokiteshvara vowed to remain in samsara until all beings are liberated from suffering. It is said that when he heard the cries of the suffering world, his head split into eleven pieces, from which emerged the heads of the Bodhisattvas who came to his aid, ultimately forming his eleven-faced form. This story underscores the immense depth of his compassion. Holding or gazing upon this silver representation can serve as a constant reminder of the power of compassion to transform the world and our inner lives, inviting peace and understanding into one's personal space.

A Treasure from the Himalayas

Crafted with devotional intent and artistic mastery in Nepal, this silver ghau serves as a tangible link to the profound spiritual heritage of the region. The use of silver in Buddhist art is significant, as it is often associated with purity, clarity, and the lunar essence, complementing the spiritual qualities of the deity it represents. The tactile quality of the silver, cool and smooth to the touch, adds to the meditative experience of engaging with this sacred object. The proportions and the serene expression on Avalokiteshvara's face are characteristic of Nepalese Buddhist iconography, which often emphasizes the tranquil and benevolent aspects of enlightened beings. Each curve and contour is imbued with a sense of peace and spiritual grace, making this piece a powerful focal point for meditation, prayer, or simply as a beautiful testament to faith and artistic excellence. Its presence can transform any space into a sanctuary of serenity and contemplation.
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