7" Crown Buddha in Varada Mudra From Nepal

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7" Crown Buddha in Varada Mudra From Nepal

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$548.25

$731

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Specifications

	WSA024
	Copper
	Height: 7.5 inch
	Width: 6.5 inch
	Depth: 7.5 inch
	Weight 980 gm

Delivery and Return Policies

	Ships in 1-3 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Manifestation of Generosity and Enlightenment

This exquisite copper statue, meticulously crafted in Nepal, embodies the profound essence of Buddhist iconography. The central figure is depicted in a seated posture, indicative of deep meditation and spiritual discipline. Its serene expression, with downcast eyes and a gentle smile, conveys an inner peace that resonates outward, inviting contemplation and calm. The figure's ornate headdress, adorned with vibrant turquoise inlays, signifies its elevated status and spiritual awakening. Each detail, from the intricate necklaces and bracelets to the delicately rendered facial features, speaks to the artisan's skill and devotion.

The Varada Mudra: A Symbol of Giving

The posture of the hands is particularly significant, as it represents the "Varada Mudra," the gesture of bestowing boons or gifts. In this mudra, the right hand is typically lowered, palm facing outward, with fingers extended, signifying the boundless generosity and compassion of the enlightened being. The left hand rests in the lap, often holding a begging bowl or resting in a meditative gesture, further emphasizing the Buddha's detachment from worldly possessions and his focus on spiritual sustenance. This specific depiction, with the right hand extended and palm open, symbolizes the Buddha's readiness to offer solace, wisdom, and blessings to all sentient beings. Ancient tales tell of the Buddha extending his hand in this manner to protect his followers from harm and to offer them strength during times of adversity.

Nepalese Craftsmanship and Cultural Significance

Originating from the spiritual heartland of Nepal, this statue is a testament to the region's rich artistic heritage and deep Buddhist traditions. Nepalese artisans have a long-standing reputation for their mastery in metal casting and sculpture, often imbuing their creations with spiritual significance and symbolic meaning. The use of copper as the primary material adds a timeless quality to the piece, as copper has been revered for its durability and its ability to hold intricate details. The inclusion of turquoise, a gemstone associated with protection and healing in various cultures, further enhances the spiritual aura of the artwork. This statue is not merely an object of art but a sacred representation, inviting practitioners to connect with the wisdom and compassion of the Buddha. It serves as a powerful reminder of the path to enlightenment and the importance of cultivating generosity in one's own life.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.