Step into Chenerzig's
compassionate world, the Tibetan Buddhist version of infinite empathy. With
many arms outstretched in a kind gesture and a compassionate glance. As a
bodhisattva, Chenerzig serves as a mentor on the winding path to enlightenment.
With his chant
"Om Mani Padme Hum" echoing in the hearts of devoted practitioners,
Chenrezig radiates compassion. His numerous arms stand for dedication to
helping sentient beings, and his calm expression conveys a steadfast commitment
to easing pain.
Embodiment of Boundless Compassion
This exquisite figurine captures the serene and benevolent form of Chenrezig, the Bodhisattva of Compassion. In Tibetan Buddhism, Chenrezig is the earthly manifestation of Avalokiteśvara, the patron deity of Tibet, and is revered as the embodiment of all Buddhas' compassion. It is said that when the Dalai Lama speaks, it is the voice of Chenrezig. The presence of this deity is believed to bring peace, healing, and spiritual well-being to all sentient beings.A Vision in Gold and Copper
Crafted with meticulous care by Nepalese artisans, this statue is a testament to the rich artistic heritage of the region. The figure is cast in copper and then gilded with pure gold, creating a lustrous and sacred aura. The radiant gold finish speaks to the divine nature of Chenrezig, illuminating the path to enlightenment. The intricate detailing on the crown, robes, and ornamentation showcases the skill and devotion of the craftspeople. Each element, from the delicate rendering of the facial features to the symbolic gestures of the hands, is imbued with spiritual significance.Symbolism and Sacred Posture
Chenrezig is depicted in a seated posture, symbolizing stability and spiritual groundedness. The multiple arms are a common representation, each holding significant objects or making meaningful mudras (hand gestures). This particular representation showcases the Bodhisattva's readiness to extend aid and compassion to all who suffer. The hands pressed together at the heart signify the union of wisdom and compassion, the core principles of Mahayana Buddhism. The other hands may hold symbolic items like a lotus flower (purity), a jewel (enlightenment), or a mala (rosary for chanting mantras), further emphasizing Chenrezig's attributes.A Connection to Ancient Traditions
The art of creating such statues has been passed down through generations in Nepal, a land deeply influenced by both Buddhist and Hindu traditions. These handcrafted pieces are not merely decorative objects; they serve as focal points for meditation and devotion. Possessing a statue of Chenrezig is believed to invoke his protective blessings and to cultivate one's own capacity for compassion and empathy. This figurine offers a tangible connection to the profound teachings of Buddhism and the enduring spiritual quest for liberation from suffering. Its presence can transform any space into a sanctuary of peace and mindfulness, a constant reminder of the boundless love that permeates the universe.How are Nepalese copper statues made?
Nepalese statues and sculptures are best known for their unique
small religious figures and ritual paraphernalia for over two
thousand years. These are mainly cast in copper alloy. Nepal draws
influences from the artistic styles of Buddhism and Hinduism, and
therefore the sculptors of the country specialize in making the
icons of both these religions. Over the years, Nepalese sculptures
evolved into their own distinctive iconography. Some
characteristic features of these sculptures that differ from other
pieces are exaggerated physical postures, youthful and sensual
features, languid eyes, wider faces having serene expressions, and
ornate flourishes. The Buddhist deity icons of Nepal have
tremendous demand in countries such as China and Tibet for ritual
purposes in their temples and monasteries.
Nepalese statues and sculptures have a high copper content and
therefore develop a slightly reddish patina on the surface as they
age. However, the most unique feature of Nepalese copper statues
is their decorative detailing. The pieces are heavily gilded and
sometimes inlaid with semi-precious stones. This embellishment
protects them from getting tarnished. The traditional lost-wax
method for casting Nepalese copper statues remains the most
practiced technique in Nepal for many centuries. This process
involves many steps and requires skilled artists.
The first step in lost-wax sculpting is to make a wax replica of
the desired Buddhist deity to be cast in copper. This replica is
created by hand and therefore needs excellent artistic skills
otherwise fine features will be lacking.
Once the wax replica is made, it is then coated with a special
mixture of clay with a brush. This layer of clay is hardened when
left to dry. A small hole is made on the base of the wax mould so
that the wax flows away when it is heated.
At this stage, a hollow mould in the shape of the deity is
obtained.
This is the time to pour liquid copper into the hollow mould which
is then allowed to cool and harden inside a container of cold
water. When the liquid metal has hardened, the mould is removed
and the statue within is revealed.
The artist works on the details of the statue using various tools.
It is then polished to get a shiny and lustrous surface.
Now comes the most important part of Nepalese art which is gold
gilding. This is done by the traditional fire gilding method. A
mixture of mercury and 18K gold is applied on the surface of the
statue and heat is applied using a flame torch. The result is that
mercury evaporates along with impurities, leaving a pure 24K gold
finish.
The lost-wax method of sculpting is the most preferred technique
for artists to cast a metallic statue having intricate details.
Since Nepalese copper sculptures require extraneous effort for
giving a majestic look by adding special embellishments, it takes
several weeks to complete one masterpiece. A 24K gold gilded
copper sculpture retains its brilliant luster for many years and
appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong
aesthetic appeal that other sculptures cannot match.
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