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9" Colorful Buddhist Deity Chenrezig Gilded Copper Statue from Nepal

$947.25
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With a golden aura on his face and the serene glow of the moon emanating from his white body, Bodhisattva Chenrezig in this gilded copper statue from Nepal creates a heavenly ambiance with his presence. Chenrezig (Tibetan) or Avalokiteshvara is the most popular Bodhisattva in Tibetan Buddhism, revered to gain his benevolence and protection. In this four-armed form, he is also known as “Shadakshari”, alluding to his six syllabled (shad, Akshar) mantra.

 

Chenrezig is enthroned on a beautiful lotus seat, ornamented with traditional jewelry and brocaded attire. He holds the rosary and lotus in his secondary hands and with his primary hands joined in front, he holds the Chintamani, or wish-fulfilling jewel.

 

The vivid colors on this copper statue give it a stunning aura, infusing the composition with the auspicious colors of Buddhism.

Specifications
MIU186
Copper Gilded with Gold
Height: 9 inch
Width: 5.5 inch
Depth: 4 inch
Weight 1.80 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Boundless Compassion

This exquisite gilded copper statue depicts Chenrezig, the Bodhisattva of Compassion, a central figure in Mahayana Buddhism. Revered as the embodiment of all Buddhas' compassion, Chenrezig is invoked by practitioners seeking to alleviate suffering for themselves and others. The statue, crafted with meticulous detail in Nepal, showcases the rich artistic traditions of the region, offering a tangible connection to spiritual devotion and cultural heritage. The vibrant colors and intricate ornamentation of this statue bring Chenrezig to life. The figure is adorned with a jeweled crown, signifying divine status, and elaborate necklaces and bracelets that speak to the opulence of spiritual realms. His serene facial expression, with eyes that convey profound kindness and understanding, invites contemplation and inner peace. The multiple arms represent his ability to engage with and assist all sentient beings in countless ways, each hand holding a symbolic object. In one hand, prayer beads signify the continuous recitation of mantras and the path to liberation. In another, a lotus flower blooms, symbolizing purity and the unfolding of enlightenment.

A Patron Saint of Kindness

Chenrezig is also known as Avalokiteśvara in Sanskrit, and his legend is rich with tales of his boundless love and devotion to all living beings. It is said that he vowed to liberate all sentient beings from suffering, and when he realized the immensity of this task, his head split into eleven pieces in despair. The Amitabha Buddha, moved by his resolve, reformed his head into eleven faces and granted him a thousand arms, each with an eye in the palm, to help him see and aid all those in need. This particular representation, with its four arms, is a common and powerful depiction of his compassionate activity. His presence is meant to inspire kindness, empathy, and the development of a compassionate heart in all who gaze upon him.

Artistry from the Himalayas

Handcrafted by skilled artisans in Nepal, this statue is a testament to the enduring legacy of Buddhist art. The use of gilded copper imbues the piece with a radiant glow, reflecting the luminous nature of the spiritual qualities it represents. The meticulous application of paint highlights the delicate features and intricate patterns, making each element a work of art in itself. The lotus throne upon which Chenrezig sits is a symbol of purity rising above the muddy waters of samsara, further emphasizing his enlightened state. This statue is not merely an object of beauty but a sacred artifact, designed to be a focal point for meditation, prayer, and the cultivation of spiritual awareness. Its presence can transform any space into a sanctuary of peace and compassion.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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