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9" Colorful Chenrezig (Four Armed Avalokiteshvara) from Nepal

$656
Includes any tariffs and taxes
Specifications
MIT008
Copper with Gold Plated
Height: 9 inch
Width: 7 inch
Depth: 4 inch
Weight 1.90 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion: The Four-Armed Chenrezig

This exquisite statue depicts Chenrezig, also known as Avalokiteshvara, the Bodhisattva of Compassion. In the Tibetan Buddhist tradition, Chenrezig is revered as the earthly manifestation of the Buddha's compassion. The story of his origin is deeply inspiring: it is said that a single tear of compassion shed by all Buddhas manifested as Chenrezig, who vowed to liberate all sentient beings from suffering. When he perceived the vastness of suffering, his head split into eleven pieces, which were then reformed by Amitabha Buddha into eleven faces, so that he could see and hear the cries of all beings. The figure before you, with its four arms, represents a stage in his enlightened development, symbolizing his ability to offer assistance in myriad ways. ––––––––––

A Masterpiece of Nepalese Artistry

Crafted with meticulous attention to detail in Nepal, a land steeped in spiritual heritage and artistic tradition, this statue is a testament to the skill of its creators. The figure is cast in copper, a sacred metal often used in religious iconography, and then adorned with a lustrous gold plating. This precious finish imbues the deity with a divine radiance, reflecting the purity and enlightenment he embodies. The vibrant colors adorning the statue – the deep blues, rich greens, and fiery reds – are not merely decorative; they are symbolic hues used in Buddhist art to represent various aspects of spiritual attainment and the multifaceted nature of compassion. The serene expression on Chenrezig's face, with his gentle smile and compassionate gaze, is designed to evoke a sense of peace and solace in the beholder. ––––––––––

Iconography and Symbolism

Each element of this representation of Chenrezig holds profound meaning. The four arms are particularly significant. In this common four-armed form, the primary two hands are pressed together in the gesture of prayer or añjali mudra, symbolizing the union of wisdom and method, or the practice of devotion. Often, in this position, the hands hold a wish-fulfilling jewel, representing the transformation of negative emotions into positive qualities. The second set of arms typically hold different symbolic objects. In this statue, one hand holds a lotus flower, a potent symbol of purity, spiritual awakening, and the unfolding of enlightenment, even amidst the muddy waters of Samsara. The object in the other hand, a symbolic noose or lasso, represents Chenrezig's ability to draw beings out of suffering and guide them towards liberation. The intricate headdress and adornments further signify his princely nature, indicative of his royal lineage in a past life and his status as a celestial being. The figure rests upon a lotus throne, a universal symbol of spiritual purity and detachment from worldly impurities. ––––––––––

A Beacon of Peace and Mindfulness

To bring this statue into your home or meditation space is to invite the boundless compassion of Chenrezig into your life. It serves as a constant reminder to cultivate empathy, kindness, and understanding towards yourself and others. As you gaze upon this magnificent representation, you can engage in contemplation, practice mindfulness, or simply find a moment of peace. The intricate details, from the delicate rendering of the lotus petals to the rich ornamentation, are designed to draw you into a deeper connection with the spiritual essence of the Bodhisattva of Compassion. This statue is more than just an object of beauty; it is a sacred conduit for invoking benevolent energy and fostering a greater sense of interconnectedness with all beings.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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