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9" Goddess White Tara Copper Idol | Nepalese Statue

$342
$456
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White Tara, a compassionate Bodhisattva in Tibetan Buddhism, is associated with longevity and healing. She has a unique connection with the moon and is also referred to as "Saptalocana," meaning "Seven Eyes," as she has an eye on each of her palms, soles of her feet, and her forehead. These eyes symbolize her all-seeing and vigilant nature, as she watches over and protects beings from all directions. While her skin symbolizes purity and serenity.  Seated gracefully in a meditative pose, she embodies the ideal of perfect womanhood and maternal care. Her presence radiates tranquility and embodies the compassionate essence of Buddhist teachings. White Tara is also believed to grant protection from fear and dangers. Her serene and gentle countenance exudes tranquility and reassurance, providing solace to those in distress.

Specifications
CAA022
Copper With Gold
Height: 9.5 inch
Width: 7 inch
Depth: 3.5 inch
Weight 1.40 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion and Longevity

This exquisite copper idol depicts White Tara, a revered bodhisattva in Mahayana Buddhism, particularly prominent in Tibetan and Nepalese traditions. Known as the "Mother of Liberation," White Tara is a powerful manifestation of compassion, longevity, healing, and enlightenment. Her serene countenance and graceful posture exude a profound sense of peace and tranquility, inviting devotees to find solace and inspiration in her presence. The intricate craftsmanship, utilizing copper with rich gold accents, highlights the divine essence of this sacred deity, making it a truly captivating centerpiece for any spiritual space. –––––––––––––––––––

Mythological Roots and Symbolism

The legend of White Tara's birth is deeply rooted in Buddhist cosmology. It is said that a tear of compassion fell from the eye of Avalokiteshvara, the bodhisattva of compassion, while he was contemplating the suffering of sentient beings. From this tear, a lotus flower bloomed, and upon its opening, White Tara emerged, radiating a gentle white light. Her white complexion symbolizes purity and the unblemished nature of enlightenment. She is often depicted with seven eyes—three on her forehead and one on each palm and sole of her feet—representing her omnipresence and her ability to see and alleviate suffering across all realms. The lotus she holds in her left hand is a symbol of purity and spiritual awakening, while her right hand is in the gesture of *varada mudra* (boon-giving), signifying her readiness to grant blessings and protection. –––––––––––––––––––

Artistic Mastery and Auspicious Presence

This meticulously crafted statue showcases the remarkable artistry of Nepalese artisans. The use of high-quality copper, adorned with lustrous gold plating, not only enhances the aesthetic appeal but also symbolizes the preciousness of spiritual wisdom and blessings. The detailed ornamentation, from the elaborate crown and jewelry to the delicate folds of her garments, speaks to a deep understanding of Buddhist iconography and a dedication to creating an object of devotional significance. The seated posture, often on a lotus throne, further signifies her enlightened state and her connection to the divine. Possessing this idol is believed to invite blessings of long life, good health, and spiritual growth, acting as a constant reminder of the path towards ultimate peace and liberation. It is a tangible representation of unwavering compassion and the boundless potential for positive transformation.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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