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9" Kharchari Nepalese Copper Idol | Buddhist Deity Statues

$623.25
$831
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Only 1 available

The carving is embedded with intricate precision, and every detail adorning this copper statue showcases the rich artistry that breathes life into Kharchari’s true form. He is depicted to be a seated, four-armed form and wears a gold crown over his beautifully tied tresses that enlightens this statue from Nepal. The statue of Kharchari has two hands close to his heart, Kharchari holds the Chintamani, or the wish-fulfilling jewel, while in the other two hands is the rosary making the symbol of infinity and a lotus. The facial features of Kharchari are presented with exquisite detail and grace. When placed in any place, this statue can enhance peace of mind.

Specifications
CAA083
Copper With Gold
Height: 9 inch
Width: 8 inch
Depth: 4 inch
Weight 2 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

An Embodiment of Compassion and Enlightenment

This exquisite copper idol, gilded with a rich layer of gold, captures the serene presence of a significant figure in Buddhist iconography. Crafted with meticulous detail in Nepal, this sculpture radiates a palpable aura of peace and divine grace. The deity is depicted in a seated posture, indicative of deep meditation and inner stillness, upon a lotus throne. The lotus, a universal symbol in many spiritual traditions, represents purity, enlightenment, and rebirth, emerging unstained from the muddy waters of existence. The intricate carving of the petals and the supporting base speaks to the artisan's skill and devotion.

Iconographic Significance and Symbolism

The deity's multiple arms signify boundless compassion and the ability to extend aid to all sentient beings. The hands are adorned with delicate bracelets, and the figure wears ornate jewelry, including a bejeweled crown and necklaces, reflecting their exalted status. The gesture of the two principal hands, held in a prayerful or salutation pose at the heart, embodies reverence and supplication. In one of the upper hands, the deity holds a lotus flower, a symbol often associated with purity, wisdom, and spiritual awakening. In another upper hand, a coiled serpent or knot is depicted, which can represent the cyclical nature of existence, or in some traditions, the subduing of ego and negative forces. The serene facial expression, with downcast eyes and a gentle smile, conveys profound empathy and understanding. The dark, flowing locks of hair, intricately styled, add to the divine aesthetic. The rich copper core, enhanced by the shimmering gold plating, gives the idol a timeless quality and a lustrous sheen that will endure for generations.

A Testament to Nepalese Artistry and Spirituality

The art of statue making in Nepal has a long and revered history, deeply intertwined with Buddhist and Hindu traditions. Nepalese artisans are renowned for their ability to imbue their creations with spiritual essence, using age-old techniques passed down through families. This idol is a prime example of that legacy, showcasing the distinctive style that blends Tibetan Buddhist iconography with the artistic sensibilities of the Kathmandu Valley. The meticulous attention to detail in the ornamentation, the flowing lines of the drapery, and the overall harmonious composition are hallmarks of Nepalese craftsmanship. Such figures are not merely decorative objects but are considered sacred, serving as focal points for meditation, prayer, and spiritual contemplation, aiding devotees in their journey towards enlightenment and inner peace. The sheer beauty and spiritual depth of this piece make it a remarkable addition to any sacred space or collection.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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