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9" Mahakala Copper Statue from Nepal | Buddhist Deity Figurines

$820.50
$1094
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Mahakala is indeed one of the most revered wrathful deities in both Hinduism and Buddhism. The name "Mahakala" signifies being beyond time or death, emphasizing the deity's transcendence. Within tantric Buddhism, Mahakala serves as a Dharma protector and is part of a group of eight protective deities.

 

Six-armed Mahakala, also known as "Shadhbhuja Gon Po Phyag Drug Pa," is a formidable emanation of Avalokiteshvara, the Bodhisattva of compassion. He is a fierce and powerful deity associated with Mahakala. One of the distinctive features of Mahakala, including the six-armed form, is the crown adorned with five skulls. This crown is a common element in various manifestations of Mahakala and holds symbolic significance. The five skulls represent the transformation of five negative afflictions inherent to human nature.

Specifications
MIS645
Copper with Gold Plated
Height: 9.5 inch
Width: 7 inch
Depth: 3.5 inch
Weight 2.60 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Guardian of Wisdom and Protector of the Dharma

This exquisite statue embodies Mahakala, a wrathful deity revered in Tibetan Buddhism as a powerful protector of the Dharma and a remover of obstacles. Crafted from copper with a lustrous gold plating, this piece is a testament to the skilled artistry of Nepalese artisans. The intricate details, from the fierce expression to the myriad of symbolic implements, convey the profound power and protective energy of this divine guardian. The iconography of Mahakala is rich with meaning. His many arms represent his boundless compassion and ability to act in all directions to aid practitioners. His fearsome countenance, with bared fangs and bulging eyes, is not a representation of anger but rather a manifestation of his unwavering determination to overcome ignorance, delusion, and the afflictions that hinder spiritual progress. He is often depicted surrounded by flames, symbolizing the purifying fire of wisdom that consumes all negativity and falsehood. In some traditions, Mahakala is seen as an emanation of Avalokiteshvara, the Bodhisattva of Compassion, thus highlighting that even the most wrathful forms serve the ultimate purpose of liberation and well-being.

The Dance of Divine Power

Mahakala is often depicted in a dynamic posture, poised to strike down negative forces. This statue captures that essence, with the deity standing in a powerful stance, ready to conquer. The gold plating enhances the divine aura, making the statue a luminous focal point for any spiritual space. The detailed ornamentation on his robes and the symbolic objects he holds in his numerous hands, such as the vajra (thunderbolt) and kartri (flaying knife), all carry specific meanings related to dispelling illusions, cutting through ignorance, and safeguarding spiritual practice. The presence of a damaru (drum) often signifies the sound of the Dharma that awakens beings to truth. In the rich tapestry of Buddhist mythology, Mahakala is a formidable protector who ensures the smooth progression of spiritual endeavors. He is invoked to overcome inner demons like greed, hatred, and delusion, as well as external obstacles that may impede one's path to enlightenment. The statue serves as a visual reminder of these principles, inspiring practitioners to face their challenges with courage and to cultivate the wisdom necessary to transcend them. The skilled craftsmanship of this Nepalese statue, with its meticulous attention to detail and traditional iconography, makes it a truly remarkable piece for contemplation and devotion.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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