9" Manjushri - Buddha of Infinite Wisdom
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

9" Manjushri - Buddha of Infinite Wisdom

$926
Includes any tariffs and taxes
Specifications
MIV841
Copper Statue
Height: 9 inch
Width: 7 inch
Depth: 4 inch
Weight 1.40 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embrace the Light of Wisdom

Invite the profound presence of Manjushri, the Bodhisattva of Wisdom, into your sanctuary with this exquisite copper statue. Crafted with meticulous detail in Nepal, a land steeped in spiritual heritage, this representation embodies the very essence of enlightened understanding. Manjushri, revered as the embodiment of wisdom, knowledge, and eloquence, is a central figure in Mahayana Buddhism. His name, meaning "Gentle Glory," perfectly reflects his serene yet powerful nature. According to Buddhist lore, Manjushri attained enlightenment in a past age and vowed to remain in the world to guide beings towards the realization of ultimate truth. He is often depicted with a radiant smile and a youthful appearance, signifying the timeless and ever-present nature of wisdom. His followers believe that by invoking him, they can overcome ignorance, delusion, and doubt, clearing the path to spiritual awakening.

The Symbols of Enlightenment

This commanding statue captures Manjushri in a dynamic pose, radiating an aura of unwavering resolve. He holds aloft a blazing sword in his right hand, a potent symbol of his ability to cut through ignorance, illusion, and suffering. This celestial blade represents the piercing insight that dispels the darkness of confusion, allowing the light of truth to shine through. In his left hand, he cradles a lotus flower, a timeless emblem of purity, spiritual growth, and the blossoming of wisdom from the muddy depths of samsara. The unfurling petals signify the potential for enlightenment inherent within all beings, waiting to be realized. The intricate craftsmanship of this copper statue showcases the rich artistic traditions of Nepalese metalwork. The detailed ornamentation, from the ornate crown adorning his head to the flowing robes and the base upon which he sits, speaks of devotion and skill passed down through generations. The subtle yet profound expression on his face invites contemplation and a deep connection to his spiritual essence. This piece serves not only as a beautiful object of art but as a tangible reminder of the power of wisdom to transform one's life and the world. Bring this embodiment of profound knowledge and clarity into your home or meditation space, and let the wisdom of Manjushri illuminate your path.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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