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Adi-Buddha Vajrasattva

$339
Includes any tariffs and taxes
Specifications
EO61
Copper Statue
Height: 9 inch
Width: 7 inch
Depth: 3.5 inch
Weight 1.80 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.
Crafted with meticulous detail, this beautiful copper statue brings an aura of serenity and spiritual power to any space. The statue depicts a revered figure in a seated pose, radiating inner peace and wisdom. A profound addition to any collection, home, or meditation space, this piece serves as a reminder of the path towards enlightenment.

Vajra and the Bell: Symbols of the Path

In the statue, the figure holds symbolic implements in each hand, representing essential aspects of Buddhist practice. In one hand, rests a vajra (thunderbolt) symbolizing the masculine principle: skill, method, and skillful means. The other hand holds the bell, representing the feminine principle: wisdom, emptiness, and compassion. Their union signifies the indivisible nature of wisdom and compassion, a union that is at the very heart of enlightenment. The vajra cuts through ignorance, while the bell calls forth awareness and understanding. Together, they help one traverse through the illusion of separateness and realize one's true nature.

The Significance of Copper

This statue is fashioned from copper, a material with a long and rich history in spiritual traditions. Copper has long been associated with healing, conductivity, and energy amplification. Its warm, reddish-brown hue adds a sense of earthiness and grounding to the statue. The inherent properties of the metal complement the statue's purpose, enhancing its ability to channel positive energy and promote a sense of harmony.

Divine Details

The craftsmanship of this piece is evident in the details adorning the figure. Draped in intricate robes and jewelry, the figure exudes grace and power. The serene expression on the face invites contemplation and reflection. The base upon which the figure sits is decorated with lotus petals. The lotus symbolizes purity, spiritual awakening, and detachment from the material world, emerging as it does from muddy waters to blossom in radiant beauty. The swirling ornamentation behind the figure further enhances the sense of tranquility and the sacred aura surrounding this powerful deity.

Placement and Purpose

This copper statue is ideal for placement in a meditation room, yoga studio, living area, or any space where you seek to cultivate a sense of peace and spiritual connection. Its presence serves as a reminder of your own inner potential for wisdom and compassion. Its dimensions of 9.0 x 7.0 x 3.5 inches make it a versatile piece that can easily fit into various settings, adding an element of beauty and spiritual depth to its surroundings.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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