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Adi Buddha Vajrasattva

$253
Includes any tariffs and taxes
Specifications
RY62
Copper Sculpture Gilded with 24 Karat Gold
Height: 8.4 inch
Width: 5.5 inch
Depth: 3.5 inch
Weight 1.41 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Timeless Icon of Purity and Primordial Wisdom

Behold a stunning representation, meticulously crafted from copper and adorned with radiant 24 Karat gold. This sculpture embodies serene power, inviting contemplation on the nature of existence and the potential for profound transformation. It serves not only as an exquisite piece of art but also as a potent symbol of spiritual awakening.

The Primordial Buddha and the Promise of Purification

In Tibetan Buddhism, the concept of the Adi Buddha refers to the "First Buddha," the source of all enlightenment and wisdom. Considered the original, self-born Buddha, he is the source of all the Buddhas that followed. He represents the potential for enlightenment that resides within all beings. Vajrasattva embodies the purity of enlightened mind. His practice is a cornerstone of Vajrayana Buddhism, emphasizing purification and the cleansing of negative karma. Often invoked to purify the mind and speech, it helps individuals realize their true potential and attain liberation. Vajrasattva's mantra is a powerful tool for transformation, dissolving obstacles and cultivating inner peace.

Craftsmanship and Detail

The meticulous craftsmanship is evident in every detail, from the graceful curve of the body to the intricate ornamentation. The 24 Karat gold gilding lends a luminous quality, reflecting light and drawing the eye to the sculpture's serene expression. The statue's dimensions create a commanding presence while remaining perfectly suited for display in your home, office, or meditation space. The union of copper and gold in this representation creates a harmonious blend of strength and elegance, reflecting the enduring nature of spiritual truth. This statue serves as a reminder of the transformative power of purification and the radiant potential within.

Symbolism and Iconography

The details and iconography of this statue hold profound significance. The hands are posed in symbolic mudras which are gestures symbolizing aspects of Buddha nature. The elegant crown represents the recognition of Buddha qualities. Each element contributes to the overall message of purity, wisdom, and the potential for spiritual liberation. The statue sits atop a lotus flower symbolizing purity. The sculpture is designed to inspire and elevate the viewer, creating a connection with the divine and a deep sense of inner peace.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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