Adi-Buddha Vajrasattva

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Name: Adi-Buddha Vajrasattva
Brand: Exotic India
SKU: XJ04
Price: 315.00 USD
Availability: InStock

SG$470

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Specifications

	XJ04
	Copper Sculpture Gilded with 24 Karat Gold
	Height: 9.3 inch
	Width: 5.5 inch
	Depth: 3.5 inch
	Weight 1.40 kg

Delivery and Return Policies

	Returns and Exchanges accepted within 7 days
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Fully Insured

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100% Handmade

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MADE IN INDIA.

The Primordial Buddha

This exceptional sculpture embodies the essence of Vajrasattva, a key figure in Vajrayana Buddhism. Meticulously crafted from copper and gloriously gilded with 24-karat gold, the statue exudes a serene power and profound spirituality. The artist's dedication is evident in the intricate details, from the flowing robes and the delicate adornments to the compassionate expression on the deity's face. The use of gold lends a divine aura to the sculpture, emphasizing Vajrasattva's elevated status as a representation of pure consciousness and the embodiment of all the Buddhas. Every curve and contour reflects the light, imbuing the piece with a sense of dynamism and spiritual energy. Display this resplendent deity in your home to invoke blessings of purity, wisdom, and profound transformation.

Vajrasattva: Cleansing and Enlightenment

Vajrasattva, meaning "diamond being" or "indestructible being," holds a significant place in Tibetan Buddhism. He is not merely a deity but a powerful representation of the potential for purification and enlightenment that resides within each of us. As the embodiment of all the Buddhas, he embodies the five wisdoms, offering guidance to overcome the five poisons: ignorance, attachment, anger, pride, and envy. Practitioners invoke Vajrasattva through visualization and mantra recitation to purify negative karma and obscurations, ultimately leading to spiritual growth and awakening. According to tradition, even reciting Vajrasattva's mantra with sincere regret can purify vast amounts of negative karma. The deity's practice is considered a powerful tool for clearing away the hindrances that prevent us from realizing our true nature and achieving enlightenment. The peaceful presence radiated by this representation is an invitation to begin a journey of inner transformation.

Artistic Merit and Sacred Art

Beyond its spiritual significance, this sculpture stands as a testament to the skill and artistry of Nepalese craftsmen. The traditional techniques used to create this piece have been passed down through generations, reflecting a rich cultural heritage. The attention to detail, from the meticulously rendered face to the intricate jewelry, speaks to the dedication and devotion of the artist. This is not just a decorative object; it is a work of art imbued with spiritual meaning. Each element, carefully shaped and placed, contributes to the overall impact of the sculpture. Displaying this beautiful sculpture will not only enrich the aesthetics of your surroundings but it can also serve as a reminder of the potential for inner peace, transformation, and the beauty that resides within us all.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.