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order delivery.See T&Cs
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100% Handmade
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MADE IN INDIA.

Ashtamangala Hand-held Prayer Wheel (Mani) with Two Layer Om Mani Padme Hum

₽11,591
Includes any tariffs and taxes
Specifications
XF42
Brass, Copper and Wood
Height: 12 inch
Width: 3.2 inch
Depth: 3.2 inch
Weight 280 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Essence of Compassion

This exquisite hand-held prayer wheel, or Mani, embodies centuries of Tibetan Buddhist tradition. More than just a beautiful object, it serves as a powerful tool for accumulating merit and spreading blessings into the world. The act of spinning the wheel is believed to be equivalent to reciting the prayers contained within countless times, purifying negative karma and generating positive energy. The practice of using prayer wheels is deeply rooted in the concept of skillful means, allowing practitioners to engage with Dharma, even when time or circumstances may not permit extensive study or meditation. It is a tangible representation of the power of intention and the transformative potential of mantra.

Craftsmanship and Symbolism

The prayer wheel's construction is a testament to artistry and mindful attention to detail. The drum, crafted from brass and copper, houses the sacred scrolls inscribed with the revered mantra "Om Mani Padme Hum". This mantra, associated with Avalokiteśvara, the Bodhisattva of Compassion, encapsulates the entire path to enlightenment. Each syllable holds profound meaning, invoking blessings of love, wisdom, and liberation from suffering. The mantra is presented in two layers, amplifying its potency and impact. The turquoise and red colored detailing add visual richness. Turquoise, revered as a sacred stone in many cultures, is often associated with protection and healing. The wooden handle provides a comfortable and grounding connection to the wheel, allowing for smooth and effortless spinning. With each revolution, the blessings contained within the mantra are released, flowing outwards to benefit all sentient beings.

The Legend of Avalokiteśvara

Avalokiteśvara, the embodiment of compassion, is at the heart of the Mani's power. Legend says Avalokiteśvara made a vow to not rest until he had liberated all beings from suffering. After working diligently towards this goal for a long period, he looked out and saw that, despite his efforts, countless beings were still suffering. Disheartened, he momentarily despaired, and his head split into eleven pieces. Amitabha Buddha, seeing his plight, reformed these pieces into eleven heads, giving him the ability to better hear the cries of the suffering. Yet, upon seeing the immense task that still lay before him, his hands shattered into a thousand pieces. These were transformed into a thousand hands, each with an eye, empowering him to reach out and help countless beings simultaneously. The prayer wheel serves as a constant reminder of this boundless compassion, inviting us to cultivate the same spirit in our own lives.

A Tool for Transformation

Whether used as a focal point for personal meditation, a source of inspiration in your home, or a thoughtful gift for a loved one, this hand-held prayer wheel serves as a potent symbol of compassion, wisdom, and the unending quest for enlightenment. Let its gentle spin remind you of the interconnectedness of all beings and the potential for positive change within yourself and the world around you.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I return the statue ?
    A. Of course you can return a statue. Returns need to be initiated within seven (7) days after delivery. All returned items must be in new and unused condition, with all original tags and labels attached. To know more about our Return Policy, please visit Return Policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at help@exoticindia.com.
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