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Chenrezig (Shadakshari Lokeshvara)

$362
Includes any tariffs and taxes
Specifications
XJ62
Copper Sculpture Gilded with 24 Karat Gold
Height: 9.5 inch
Width: 5.8 inch
Depth: 3.8 inch
Weight 1.56 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Bodhisattva of Compassion

Considered by many to be the embodiment of compassion, this beautiful statue represents a deity who is deeply revered within the Buddhist pantheon. This figure is not just a representation of spiritual ideals, but is also a focal point for devotion, meditation, and the aspiration to alleviate suffering. This form is particularly significant as it is believed to be closely associated with the mantra "Om Mani Padme Hum," one of the most widely recited mantras in Tibetan Buddhism. It is said that the recitation of this mantra can transform negative emotions and purify the mind, leading to enlightenment and liberation. The mantra is often linked to the deity, whose essence it embodies.

Craftsmanship and Symbolism

Created by skilled artisans, this statue is a testament to the rich artistic traditions of the region. The statue is made of copper, a metal prized for its durability and malleability, allowing for intricate details. It is then gilded with 24 Karat gold, a material that symbolizes purity, enlightenment, and the transcendent nature of the deity. The radiant gold finish enhances the statue's visual appeal and emphasizes its sacred nature. Each detail of the figure is imbued with symbolic meaning. The multiple arms represent the deity's ability to act in countless ways to help beings. One set of hands are often depicted in the Anjali Mudra, a gesture of prayer and reverence, signifying the deity's compassionate vow to liberate all beings from suffering. The lotus flower often held in one hand symbolizes purity and spiritual awakening, rising above the mud of worldly suffering. The serene expression on the face of the figure reflects the boundless compassion and wisdom that are central to this deity's nature. Often the figure is depicted with an eye in the palm of each hand, symbolizing the ability to see and respond to the suffering of all beings.

A Legacy of Kindness

Bringing this piece into your home or sacred space serves as a reminder of the potential for compassion and wisdom within each of us. It is an invitation to cultivate these qualities in our own lives and to work towards the benefit of all beings. Whether you are a seasoned practitioner or simply seeking a connection to something larger than yourself, this statue serves as a beautiful and inspiring symbol of hope, healing, and the transformative power of compassion. This representation of the deity is more than just an art piece; it is a legacy of kindness, intended to awaken the innate potential for goodness that resides within all.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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