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100% Handmade
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MADE IN INDIA.

Fine Quality Tibetan Buddhist Mahakala Phurpa On Stand - Made in Nepal

$1139
Includes any tariffs and taxes
Specifications
ZDX71
Copper Statue
Weight 1.70 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Powerful Emblem of Spiritual Authority and Protection

This exquisite copper statue embodies the potent symbolism of Tibetan Buddhism, featuring the fierce and benevolent Mahakala. Crafted in Nepal with exceptional skill and dedication, this phurpa, also known as a ritual dagger, is more than just a decorative object; it is a conduit for spiritual energy and a profound representation of warding off negativity. The intricate detailing and the rich patina of the copper speak to a heritage of sacred artistry, making it a truly remarkable piece for any practitioner or collector. The phurpa itself is a vital ritual implement in Vajrayana Buddhism, believed to possess the power to pierce ignorance and dispel obstacles on the path to enlightenment. Its triangular blade symbolizes the cutting of the three poisons of greed, hatred, and delusion. In the hands of enlightened beings, it is a tool for transforming negative energies and protecting the Dharma. The formidable visage of Mahakala, a wrathful emanation of Avalokiteshvara, further amplifies this protective aura. Mahakala is the great protector, depicted with fierce expressions and multiple faces to signify his ability to overcome all adversities and negative forces. His presence is meant to instill courage, destroy ignorance, and ultimately lead beings to liberation.

Symbolism and Craftsmanship

This particular phurpa is adorned with elements that deepen its symbolic meaning. The fearsome face of Mahakala at the apex, with its bared fangs and piercing eyes, is rendered with astonishing intensity. Surrounding the face are ornate crowns and decorative motifs, suggesting the celestial power and majesty of this divine protector. The central shaft features a series of intricately crafted elements, including what appear to be stylized dragon heads and perhaps representations of lotuses, signifying purity and the blooming of wisdom. The lower portion culminates in a powerful, sharp blade, the quintessential element of the phurpa, designed to metaphorically sever all forms of delusion and harm. The entire sculpture is presented on a sturdy, square base, which is also elaborately decorated with patterns and stylized demonic faces, grounding the sacred object and emphasizing its dominion over negative forces. The tradition of creating such sacred objects in Nepal is deeply rooted in centuries of Buddhist artistry and spiritual practice. Artisans, often working within monastic communities or family workshops, imbue their creations with prayers and intentions, ensuring that each piece carries not only aesthetic beauty but also profound spiritual potency. The use of copper is significant, as it is believed to conduct spiritual energies effectively and is a traditional material for Buddhist iconography. The craftsmanship evident in this statue, from the delicate carving of the facial features to the precise detailing of the base, showcases the skill and devotion of its creators.

A Focal Point for Meditation and Devotion

This fine quality Mahakala Phurpa is ideally suited to be a central piece in a meditation room, altar, or a sacred space within the home. Its imposing presence serves as a constant reminder of the transformative power of Buddhist practice and the importance of confronting and overcoming inner and outer obstacles. It can be a focal point for contemplation on the nature of protection, courage, and the ultimate victory of wisdom over ignorance. As a representation of Mahakala, it invites practitioners to connect with the fierce compassion that seeks to eradicate suffering in all its forms. Owning such a piece is not merely about possessing an artifact; it is about inviting a powerful spiritual presence into one's life, offering a tangible connection to the profound teachings and protective energies of Tibetan Buddhism. Its origin in Nepal, a land steeped in spiritual tradition, further enhances its authenticity and sacred value.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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