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Garuda Wall Hanging Mask - Tibetan Buddhist Mask From Nepal

$103.50
$138
25% off
Includes any tariffs and taxes
Specifications
EN92
Copper Statue
Height: 5 inch
Width: 7.3 inch
Depth: 1.8 inch
Weight 400 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Power and Protection

This striking copper mask captures the formidable presence of Garuda, a divine being revered in Hindu, Buddhist, and Jain traditions. Garuda, often depicted as a celestial eagle or a human with avian features, is the mount of the Hindu god Vishnu and a powerful enemy of the serpent deities (Nagas). His presence signifies strength, speed, and a fierce guardianship against negative forces. This mask, crafted with intricate detail, brings that potent energy into your space. ––––––––––––––––––

A Masterpiece of Tibetan Craftsmanship

Originating from Nepal, a region steeped in rich spiritual and artistic heritage, this mask is a testament to the skill of Tibetan artisans. The copper medium is expertly worked to create a textured surface that highlights the sharp angles of the beak, the intensity of the eyes, and the flowing mane. The interplay of dark patinas and gleaming bronze accents adds depth and drama to the divine countenance. Each element, from the sharp, piercing eyes to the powerful beak and the coiled serpents that frame the face, is rendered with meticulous care, reflecting centuries of tradition in mask-making. ––––––––––––––––––

Symbolism and Spiritual Significance

In Buddhist mythology, Garuda is often seen as a protector against nagas, symbolizing the triumph of wisdom over ignorance and the subjugation of negative emotions or obstacles. He is a powerful figure associated with overcoming fear and breaking free from illusions. The fierce expression of this mask is not one of malice, but of vigilant protection. Hang it in your home or meditation space to invoke a sense of security, courage, and spiritual awareness. It serves as a constant reminder of the inner strength and the protective energies that can be called upon. ––––––––––––––––––

An Accent of Sacred Artistry

This Garuda mask is more than just a decorative piece; it is an artifact imbued with spiritual meaning and artistic tradition. Its size makes it versatile, allowing it to be a focal point on a wall, a shelf, or an altar. The raw power and spiritual resonance it conveys will undoubtedly spark conversation and contemplation. Whether you are a practitioner of Tibetan Buddhism, a collector of sacred art, or simply someone drawn to the powerful symbolism of this mythical creature, this mask offers a unique and captivating addition to your surroundings. Its copper construction ensures durability and a timeless aesthetic that will be cherished for years to come.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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