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100% Handmade
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MADE IN INDIA.

Khajuraho Nymph: Dancing Splendour

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A youthful maiden, seemingly emerged straight from the ancient temple walls situated within the Khajuraho caves. She is ravishingly beautiful, what with her ample curves, limbs that are plump and sturdy, and a face that is at once captivating and serene. A stream of necklaces cascade down the narrow room between her breasts, a thick girdle holds her super-short mid-thigh dhoti in place, revealing rather than concealing her fresh, post-pubescent form.

The simple colour palette complements the organic medium of this Khajuraho-style composition. Green and red and the occasional bit of ochre, in cool pastel tones. The base colour is a deep brown that is washed out in places, and is to be found on the woman’s skin as well as on the pedestal upon which she dances. The same is superimposed with colourful shringar on her person and luxuriant vines on the surface of the aureole. A row of similarly gorgeously coloured lotus petals is to be found on the ornate pedestal beneath the feet of the nymph.

The thick superimposing aureole, as seductive as she is. Curvaceous green vines, budding flowers in bunches dangling therefrom, and hints of mythical paisley-shaped fruit. Such a murti housed in your space would make a statement of fullness and fecundity, of colour and texture, and of the ancient and the artistic.

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Specifications
ZEN865
South Indian Temple Wood Carving
Height: 36 inch
Width: 4.7 inch
Depth: 17.5 inch
Weight 11.70 kg
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

An Embodiment of Divine Grace and Movement

This exquisite South Indian temple wood carving captures a moment of sublime artistry and spiritual devotion. The central figure, a celestial nymph, is rendered in a dynamic dance pose, her body a testament to fluidity and grace. Her limbs are elegantly curved, suggesting the effortless rhythm of an ancient dance, perhaps a celestial ballet performed for the gods. The intricate detailing of her adornments – layered necklaces, bangles, and anklets – speaks to the rich cultural heritage and the meticulous craftsmanship of the artisans who brought this piece to life. The vibrant colors, applied with subtle shading, accentuate the contours of her form, imbuing the wood with a lifelike warmth and depth. ––––––––––

Whispers of Ancient Traditions

The very essence of this carving echoes the traditions found in the renowned Khajuraho temples, famed for their sculptures depicting celestial beings and scenes of devotion. These temples, built between the 9th and 11th centuries, are not merely architectural marvels but also repositories of artistic expression that sought to capture the divine in human form and the myriad aspects of life. The dancing nymph, in her vibrant portrayal, can be seen as an Apsara, one of the celestial nymphs of Hindu mythology, whose presence graced the heavens and whose dances delighted the gods. They were known for their beauty, their enchanting music, and their captivating dances, often depicted in various forms of Indian classical art. The smaller figure at her side might represent a companion or an attendant, emphasizing the grandeur and celebratory nature of the divine performance. ––––––––––

A Masterpiece of Woodcraft

Crafted from high-quality wood, this carving showcases the skill of South Indian artisans, a region renowned for its rich tradition of wood sculpting that has been passed down through generations. The intricate patterns adorning the frame and the base of the sculpture are reminiscent of temple architecture, with motifs that often draw from nature, geometric designs, and symbolic representations. The swirling vine-like patterns framing the central figure suggest a connection to the natural world, perhaps symbolizing fertility, growth, and the omnipresent divine energy that permeates all existence. The base, with its decorative elements and the representation of a lotus-like motif, further anchors the piece in spiritual symbolism, with the lotus being a sacred flower in many Indian religions, representing purity, enlightenment, and divine beauty. This piece is more than just a decorative item; it is a gateway to a rich cultural and spiritual narrative, a tangible piece of art that brings the majesty of ancient Indian traditions into your space.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.
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2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.
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3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.
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4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.
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How to care for Wood Statues?


Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

 

  • Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

 

  • Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

 

  • You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

 

  • Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

 

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster. 

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