Kubera - The God Who Gives Money

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Name: Kubera - The God Who Gives Money
Brand: Exotic India
SKU: ZBC66
Price: 315.00 USD
Availability: InStock

$362

Includes any tariffs and taxes

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Specifications

	ZBC66
	Copper Statue
	Height: 7 inch
	Width: 6.5 inch
	Depth: 4 inch
	Weight 1.20 kg

Delivery and Return Policies

	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
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Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embrace Prosperity with the Auspicious Deity

Invite abundance and good fortune into your life with this exquisite copper statue, a powerful representation of Kubera, the benevolent deity of wealth. Crafted with meticulous attention to detail, this statue embodies the divine essence of the god who bestows riches upon his devotees. The rich copper material lends a timeless aura to the piece, making it a striking addition to any altar, home, or office space. In Hindu mythology, Kubera is revered as the King of the Yakshas and the treasurer of the gods. His patronage extends over all forms of wealth, both material and spiritual. Legend has it that Kubera was once a king who performed immense penance, earning him the eternal grace of Lord Brahma and the custodianship of celestial treasures. His story is a testament to the rewards of devotion and spiritual discipline. He is often depicted in paintings and sculptures with a pot belly, symbolizing his immense wealth, and holding a mongoose, which is said to disgorge jewels. This statue captures that very essence, radiating an aura of prosperity and generosity. ––––––––––

A Symbol of Abundance and Divine Blessing

This statue is more than just a decorative item; it is a conduit of positive energy and a focal point for invoking prosperity. The serene yet powerful expression of Kubera suggests a benevolent watchfulness over his followers, ready to bless those who approach him with sincere devotion. The intricate craftsmanship showcases the artisan's skill, from the divine ornamentation adorning Kubera's form to the ornate base upon which he is seated. The rich, earthy tone of the copper enhances the statue's visual appeal, evoking a sense of groundedness and enduring value. In various Buddhist traditions, Kubera is also known as Vaishravana, a guardian of the north and a protector of Buddhism. He is often depicted in thangkas and mandalas, symbolizing the immense wealth and protection he offers to the devout. By bringing this statue into your space, you are not only acquiring a beautiful piece of art but also inviting the blessings of a divine being associated with prosperity, well-being, and abundance. It serves as a constant reminder to cultivate a spirit of gratitude and to share one's own blessings with others, perpetuating the cycle of wealth and generosity. This piece is an ideal gift for anyone seeking to enhance their financial well-being or to simply invite a sense of opulence and good fortune into their lives.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.