40" Large Size Pritzker Vairochana Buddha Statue in Brass | Handmade

$2885
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This brilliant piece of art, a brass statue with forty-inch height, anodised as glowing copper, represents Vairochana Buddha, one of the Buddha's lately evolved forms. The earliest example of Vairochana Buddha in arts is estimated to come from the seventh century in the form of a book-cover, now in Pritzker Collection. The book-cover image is in meditating posture, but later there evolved other forms of Vairochana Buddha; hence, the meditating Vairochana Buddha form is sometimes addressed also as Pritzker Vairochana Buddha.


Vairochana Buddha represents one of the directional Buddhas of the Vajrayana pentad. Initially, the Buddha was conceived to have three forms : Sambhogakaya, that is, the body of bliss – the regally adorned resplendent body claiming Buddha's spiritual majesty; Dharmakaya, that is, invisible, formless 'dharma' body; and, Nirmanakaya, that is, the mortal body of a monk. Subsequently, Vajrayana came out with a concept of five transcendental and directional Buddhas, who came to be known as the Vajrayana pentad. Vairochana Buddha was the centre amongst this pentad.

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Item Code: EK13
Specifications:
Brass Statue
Height: 3.4 ft
Width: 2.3 ft
Depth: 1.4 ft
Weight: 50 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

The Vajrayana form of Vairochana Buddha was more or less a new version of Sambhogakaya form of the Buddha's initial imagery. In the beginning, Vairochana Buddha form was not much popular; but after there emerged the text 'Mahavairochana Sutra', in around 780 A. D., and was translated in Tibetan, the popularity of Vairochana Buddha, both amongst devotees as also in artistic representations, was tremendously increased. In Tibetan, the relevant term was translated as 'the Buddha parè', which meant 'regal Buddha', and this practically gave birth to an emperor-like embellished form of Vairochana Buddha. Later, this form traveled from hills down to plains and at Kurkihar-type Buddhist centres, there emerged a similar form of Buddha, usually named the crowned Buddha. The form gained as much popularity in the entire Indian subcontinent. Those who advocated for a Buddha-form with crown, argued that Buddha was the supreme of all kings. He was Chakravartin, a term denoting the conqueror of all, though in the Buddha's case it was the conqueror of all sin and desire.


There is reflected unique majesty and a monarch's grandeur in the figure's iconography, emotional disposition, costume, ornaments, and even in the seat. Though the statue comprises only the deity's image and the 'pitha' he is seated on, it as much defines the total ambience. The holy image is installed on a two-fold triangular 'pitha', though with its corners moulded its angularity has been diluted, and it harmoniously aligns with the sitting posture of the deity. Technically, the 'pitha' is a lotus seat, but not comprising a lotus, or two; it has, instead, multitudinous lotuses piling for reaching the contemplated height. The Buddha is seated in 'padmasana', and in the yogi's posture his both palms lie on his lap, almost fully buried into the folds of his 'dhoti'. The lotus marks, which define the palms and feet of Boddhisattvas, are missing here; obviously, because, as Vairochana Buddha, he had attained the stage beyond such auspicious things. They were for them who had to still attain that status.


The image has been conceived with a broad forehead and as broad a face. The bow-like curving eyebrows align with the contours of the nose and create a pleasant geometry. The nose is sharp but not very prominent. The chignon is knotted with a floral band, and the conventional 'urna' has transformed into a regular 'tilaka'. One of the most beautiful features of the image is its sumptuous costume the 'dhoti', 'khata' and sash. As if cascading from above, the pleats of the 'dhoti' have collected on the seat in front of the image, besides on deity's legs. The 'khata' is simply wrapped around the left shoulder, chest and belly, but the sash adorns the neck, shoulders and arms and also flanks on both sides creating unique beauty for eyes.


The image has on its head an ostentatiously bejewelled crown divided into five leaves, the central one being the larger. It has no emblem atop. Other ornaments 'kundalas', necklace, garland, bangles, armlets, bracelets, anklets, and girdle, are as lavish and richly conceived. The 'kundalas' are designed as earrings with the hollow centre; the necklace is broad-patterned, designed with the Shrimukha emblem on its central part; and, garland and girdle are delicately modelled. However, these are armlets and bracelets, which of all ornaments are the most beautiful.


This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture. 


Free Shipping. Delivered by to all international destinations within 3 to 5 days, fully insured.


 


How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at help@exoticindia.com.
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at help@exoticindia.com.
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