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Lord Buddha Invoking Mother-Earth to be His Witness

$389.25
$519
25% off
Includes any tariffs and taxes
Specifications
XI67
Copper Sculpture
Height: 9 inch
Width: 5 inch
Depth: 5 inch
Weight 2.05 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Moment of Enlightenment

Crafted from copper, this sculpture depicts a pivotal moment in the life of Siddhartha Gautama, the Buddha. It portrays the moment when, after intense meditation and trials under the Bodhi tree, he was challenged by Mara, the demon of illusion, who attempted to dissuade him from attaining enlightenment. Mara unleashed storms, armies, and his beautiful daughters to distract Siddhartha. When Mara demanded a witness to his own righteousness, Siddhartha calmly reached down and touched the earth with his right hand. The earth responded with a mighty roar, acknowledging Siddhartha’s past lives of selfless dedication and virtue. This act of touching the earth is known as the "Bhumisparsha Mudra," often translated as "earth-witnessing gesture." This gesture symbolizes unwavering resolve, steadfastness, and the ultimate triumph of good over evil.

The Power of Copper

This sculpture is rendered in copper, a metal revered for its durability and its ability to conduct energy. In many cultures, copper is believed to possess healing properties, promoting balance and harmony. The warm, reddish-brown hue of the metal imbues the sculpture with a sense of earthy stability and timelessness. The inherent qualities of the copper enhance the sculpture's visual impact, catching the light and highlighting the intricate details of the Buddha's form and the lotus pedestal upon which he sits.

Symbolism in Form

The Buddha is seated in the lotus position, representing purity and spiritual awakening. The lotus flower, which rises from muddy waters to bloom in pristine beauty, symbolizes the potential for enlightenment that resides within all beings. The serene expression on the Buddha’s face reflects a state of inner peace and profound understanding. The subtle details of the robe, the graceful lines of the body, and the intricate curls of the hair, all contribute to the overall sense of calm and focused energy emanating from the sculpture. The Ushnisha, the cranial protuberance atop the head, signifies wisdom and spiritual attainment. This piece is more than just a decorative object; it is a powerful reminder of the possibility of transcending suffering and achieving enlightenment.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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